Welcome to the 9 o'clock nasty

Saturday, 12 April 2025

Playboy Driver Supermix

    

"Put the flesh to the metal.”

This is our April 2025 single release, a thunderous roar and screech.


Adrenaline. Power. Masculine Toxicity. All of it. Welcome back to the world of the PLAYBOY DRIVER baby! Playboy Driver, the new single by 9 o’clock Nasty.


Press the pedal. Harder. Rev to the limit. No mercy. No remorse. No safety net.


This is the high octane version of the song. Peak performance. Scream if you want to go faster baby. Scorched, convulsing and yet very, very sexy.


Be the best looking corpse in the city. Entitled, deviant yet mesmerising. Unforgettable and utterly amoral.  Charisma, sharp clothes and a winning smile.


Carved from the screaming original by Nick Mailing, a man without pity, serving only the imperative to move fast and survive. Agile, savant, danger. An exceptional talent.


If you look closely you can see bare ribs, bone showing through the meat in the torn gold jumpsuit. If you inhale, beneath the heady fragrance of fine cologne there is a note of blood and death. Because a hero can only be a hero when they tear through the fabric of the world and blaze onto the other side


Which is why hanging out with heroes is probably an error.


Available at > YouTube | Amazon Music | Spotify | Apple Music


Much love to the people that have taken time to listen to our stuff and write about it.

"English prolific trio 9 O’clock Nasty returns with another marvelous piece of sonic artistry that will immediately resonate with anyone looking for an energetic, groovy, noisy rock experience. “Playboy Driver” arrives as their single this year, arriving after “King Thing 2025,” an excellent composition released earlier this year that you should also check out as soon as possible." @thoughtswordsaction


"Looking at the words, the track doesn’t actually flirt with toxicity—it marries it. The Playboy Driver isn’t sorry for being a jerk or polluting your air; he’s all cocky grins and sharp edges." @thebuzzyband




“In ‘Playboy Driver’, the band 9 o’clock Nasty showcases raw, garage-rock strength and mindset-lath vocals that are impossible to ignore, creating an intoxicating environment reminiscent of the rebellious swagger of late-night adventures.” - @music.ev0lution


“Soundwise, 9 O’clock Nasty packed this track with everything you dearly love about their sound. Perhaps energetic rock comes to mind first, but there are many sonic ingredients borrowed from garage rock, noise rock, art-rock, post-punk, alternative, etc.” @thoughtswordsaction

“This new version presents a renovated energy, the one you’d need to bring a corpse back to life. It is beautiful and traumatising at the same time, it’s everything your parents told you not to listen to and to stay away from.” @jpgchief

“Playboy Driver…goes hard, giving us heavy beats, edgy riffs and powerful percussion. You can practically hear the octanes.” @york_calling

“This track brings a rock that connects us to our rock roots; it is powerful, with a fervent guitar of riffs and solos, with vocal power and with lyrics of a lot of attitude and critical and fun character which is a trademark of the sensational 9 o’clock Nasty.” @indieoclock

“Leicester’s loudest troublemakers, 9 o’clock Nasty, have wowed us with Playboy Driver—a gift that’d make Harley Davidson blush. Dropping April 12th, this one is nitro-boosted: dangerous, soaked in gas, and ready to explode.” @thebuzzyband

“This new song from 9 o’clock Nasty, a British band that always strives to release above-average work, is simply sensational. In addition, it comes with a spectacular bittersweet music video.” @musicforallmag

“This track is perfect and connects us with our rock roots, a gift to those who love true rock and roll.” @indieoclock

“This track represents us and represents rock that should be full of posture and bring songs that connect to the listener and society. This track is a rock anthem, with footprints of a rock from the 70s and 80s that we love, the hard rock punk we were looking for.” @indieoclock

“With a brash bang, abrupt jump, and sludge-like insanity, being pulled into the 9 o’clock Nasty universe leaves you entirely changed… and possibly a little disappointed in the reality to which you must return.” @theothersidereviews

“Three years ago, they unleashed one of their most iconic songs, Playboy Driver, inspired by the original version of the masterful producer/sound engineer Nick Mailing, bringing flames and destruction to every streaming service available to man.” @jpgchief

“The clip, ah the clip, translates what the song goes through. It features motorsport images, including the English Formula 1 star, James Hunt, who has something to do with the title of the track, being a bad boy of the tracks.” @roadiemusicmag

“With satire and aura, ‘Playboy Driver’ invites a global audience into a world where ego and escapism collide, providing a fresh and darkly dramatic experience that challenges conventional sonic norms.” - @music.ev0lution

“As ever, 9 o’clock Nasty don’t hold back with their chanting vocals, trading blows in the verse before growling through the chorus.” @york_calling

“Musically, ‘Playboy Driver’ is an alternative rock with several references, ranging from punk, indie and even with the old incursions of funk. In the new composition, we find the typical aggressiveness of rock, but also a well-positioned melody and elements such as ‘groove’.” @roadiemusicmag

“Bold, brash, and brimming with raw confidence, one can feel the passion pulsating in ‘Playboy Driver’. Interestingly, as much as it hits you in the chest, it also seemingly holds your hand, drags you along, and has you grinning while being shoved from one musical post to the next.” @theothersidereviews

“This new version sounds much cleaner and more dynamic, thanks to the excellent work done by Nick Mailing. His mixing and mastering techniques improved a song that already had a perfect structure and profoundly detailed segments.” @thoughtswordsaction

“Trippy and highly dangerous, but also exciting and brimming with desire, ‘Playboy Driver’ is the ideal theme song for the psychedelic romance, La Motocyclette – whether the 9 o’clock Nasty lads know it or not.” @theothersidereviews

“Nick Mailing’s remix doesn’t just tweak — he detonates. You can hear the engine screaming, the sweat dripping, the grin widening.” @odysseymagazines

“The gritty, repeating rhythm phase in ‘Playboy Driver’ pulses with incredible urgency, playing like a love letter to the edgier roots of rock, blending wet, cool confidence with an ironic chaos.” - @music.ev0lution

“This is chaos couture. The kind of energy that makes people fall in love and call the cops in the same night.” @odysseymagazines

“Revving to life with fierce intensity, this Nasty classic boasts vibrant new colours and striking bold textures that define its bold spirit.” @jpgchief

“9 o’clock Nasty is a band from Leicester, United Kingdom, that mixes musical styles within the facets of rock. It’s that kind of restless band, which doesn’t want to do more of the same, but also doesn’t overdo it trying to reinvent the wheel.” @roadiemusicmag

“Playboy Driver is a snarling beast of a song that’s drenched in danger and attitude. Unapologetic. Unhinged. Unforgettable.” @odysseymagazines

“’Playboy Driver’ is a powerful track, combining cutting guitars, a powerful bass and drums that master these complex rhythms as if it were the easiest thing in the world.” @musicforallmag

“Titled ‘Playboy Driver,’ the band’s newest track is all about adrenaline, power, male toxicity, and everything that involves a car race, but which can be used as a strong metaphor for real life.” @musicforallmag

“I never in my wildest dreams imagined I would mention 9 o’clock Nasty, Geri Halliwell, Marianne Faithfull and Alain Delon in the same sentence – but there you have it. Inspired by 9 o’clock Nasty’s new single, ‘Playboy Driver’, I found myself revelling in the “scream if you wanna go faster” of Halliwell.” @theothersidereviews


Saturday, 22 February 2025

This Is Crowland, the difficult 4th Album

 

So, 2025. Great time to be alive! In December 2023 we made the last tweaks to a song called Crowland, all about a fictional parallel universe. The place that many people that we would loosely describe as cunty wanted to drag us all back to. A place without ethics, rights to self, care for others... a theocratic monocultural wasteland. In February 2025 when the album finally tears through the membrane, Crowland looks more real than we're comfortable with, hence THIS IS CROWLAND.

The title of this post is ironic, This Is Crowland was not a difficult album to record in any real sense.  We weren't starving or being prevented from doing exactly what we wanted in any way, and we had no lack of ideas. We also now have most of the practical studio skills to make our music sound more or less how we want it to sound. So no excuses, this is the real shit.

Not going to lie, never thought we'd make quite this much music in our short career. But then, all that time in rehearsal rooms with every other band I've been in, converted instead into songwriting and recording gives us the luxury or making a lot of music.

This is the best 9 o'clock Nasty album. That isn't the put down any of the others, but this one feels really special. The sort of thing you don't get to make often in a lifetime.

You can hear it:

On Spotify, Apple Music, Deezer etc etc. It's on all the streaming services and that is how most people listen to our stuff. No complaints, thank you.

You can also hear it, and see it free on Youtube on this playlist.

It's on Bandcamp as a CD or download, and on Patreon if you're a paying member.

The trackist is:

  • Crowland
  • Unkle Natur
  • Smash Grab and Go!
  • The Wrong Guy
  • Hot Disco Shit
  • Bad Vegan
  • For the Sugar
  • Pusher Needs a Haircut
  • Kid Blast
  • Coliseum
  • Shrink Wrap
  • Bad Monkey
  • Devil Don’t Care
  • Dead Pilot
  • Paint Me

We wanted an album that was just popping with songs you'd skip to and play over and over. We wanted an album where every track would stand comparison with your favourite music. We don't want to make songs that are "good for an independent artist working on their own."

Fuck that. We want to make songs as good as anything ever produced. As well recorded and as well written as the very best music out there.

Judge for yourselves how close we got. There are certainly moments where we touch the sky.

Some of the songs popped easy. Smash Grab and Go and Bad Vegan were almost instant. Hot Disco Shit was (I think) just one afternoon to do, but that was after two years of it being half-complete. Paint Me was agony, we demoed it for "By All Means Necessary" the same night as Darker Star, but it just languished waiting for the moment. Then, something shifted and it landed. Pete put in long, long hours working on some of the edits to get them all to the final version.

We think Pete's mum likes "Coliseum" best. So that is officially the best song on the album. Ma Brock is the ultimate arbiter of truth.

We're dead happy with this album Proud. Content. So now we need to crack on with the next one.

As always, a huge thank you to anyone that wrote about the album. 

“Party, with the people you trust.” This lyric truly encompasses the epitome of 9 O’Clock Nasty’s overall sound: headbobbing, beat-laden music, with a twist of snarl and edge. @jpgchief


“The band has described how they feel about this record as an ‘exceptional album for an exceptional time,’ and I couldn’t agree more.” This sentiment resonates deeply, reflecting the current dystopian mood. @jpgchief


“I am not alone in feeling some dystopia around the turn of the new year, and I think that music from a band like 9 O’Clock Nasty is a much needed remedy.” A hopeful note in uncertain times. @jpgchief


The band really put their energy into this record, and when you listen to it that comes right through, consciously touting “no filler” on it. @jpgchief


The “B-Sides” as they describe them were “buried in a landfill just outside of Leicester.” laughs As good as the record is, I hope those B-Sides aren’t archived to never see the light of day. @jpgchief


Indeed my overall emotional reaction when listening to the album is a roller coaster of angst, unease, and … swagger. Swagger? Yeah swagger. @jpgchief


Tunes like “The Wrong Guy” and “Hot Disco Shit” bring the musical ride to a nice old school hip hop vibe. @jpgchief


Another spoiler I’d put out there too is that the band has a music video in place for every song on the album, and the visual aspect of the album just takes it to another level. @jpgchief


The imagery used adds an element to what feels like an overall concept to the record. Interesting to say the least. @jpgchief


@jpgchief: “Partying is indeed, great. However, only as fun as the crowd you choose to surround yourself with. I’m happy to report that the lads from Leicester, UK 9 o’clock Nasty have an epic new album in store for you and I to party to, coming out February 22nd, entitled ‘Crowland.’”


@jpgchief: “The band has described how they feel about this record as an ‘exceptional album for an exceptional time,’ and I couldn’t agree more. I am not alone in feeling some dystopia around the turn of the new year, and I think that music from a band like 9 O’Clock Nasty is a much needed remedy.”


@jpgchief: “Another spoiler I’d put out there too is that the band has a music video in place for every song on the album, and the visual aspect of the album just takes it to another level. The imagery used adds an element to what feels like an overall concept to the record.”


This Is Crowland, an album packed with defiant energy, sharp satire, and raw intensity. @lelahelmetal  


Each song on the album was written as a single. When we’re working on something, it’s never “for the album.” You just have to do the absolute best you can for the song that’s in front of you. @lelahemmetal


Giving up on a song is always really painful, and it can feel very personal if it is your idea, but that’s part of the deal with working in a band. The result is better quality work. @lelahemmetal


Laughter is one of the best ways to highlight stupidity and greed, and also more interesting than out-and-out protest songs, although we’ve done a couple of those too. @lelahemmetal


Each time we finished filming one video, we got an idea for another. It’s the closest that video making has ever felt to songwriting. @lelahemmetal


Certain things any 9 o’clock Nasty song needs: it must be short - tight and effective. It must have a hook. It must excite us. @lelahemmetal


There have been times in the last 50-60 years when artists have been the rallying call for change. Music, Art, Writing provide touch points of truth for people. @lelahemmetal


We used it to test a lot of our stuff, simply by dropping our tunes between tunes we adore. It’s due a big change in the next few weeks, but in truth we’ve found a mix of songs we really really like. @lelahemmetal


Although it’s bold and swaggers more than it probably should, it’s actually quite personal and very human. @lelahemmetal


“9 o’clock Nasty always break the rules and shapeshift boundaries of so many music genres to illustrate such a rich and luxuriant sound.” @thoughtswordsaction


“Each vocal harmony, each instrumental and rhythmic manoeuvre, outstanding production, all these qualities shine at ‘This Is Crowland,’ making it one of their greatest works so far.” @thoughtswordsaction


“Perhaps punk rock comes to mind first, but don’t be surprised if you stumble upon some of the finest properties borrowed from post-punk, garage, hip-hop, industrial, and even some electronic music.” @thoughtswordsaction



9 o’clock Nasty has created a fresh, unique, versatile, innovative, and entertaining material fully stacked with incredible songs that immediately grab you by the collar and refuse to let go long after this material ends. @thoughtswordsaction


Their experimental nature is more than vividly hearable here, as they deliver an entire amalgam of catchy, memorable, engaging compositions that immediately get into your ears and refuse to let go. @thoughtswordsaction


The band thought about even the tiniest details, nuances, and accentuations while writing, composing, arranging, recording, and producing this material. @thoughtswordsaction


You’ll notice how each hit of the snare, kick of the bass drum, and splash over the cymbals cuts the atmosphere, bringing more detail and depth to this impressive full-length album. @thoughtswordsaction


You’ll hear each instrument and vocal line in the mix, so a pleasant listening experience is more than guaranteed. @thoughtswordsaction


"9 o’clock Nasty’s This Is Crowland is not just another electronic album—it’s a declaration. Unapologetic, raw, and deeply entrenched in the dissonance of modern life, this release holds the listener captive from its first beats to its last echo." @parkettchannel.it


"The album’s premise is one of defiance: of refusing to accept the status quo, of laughing in the face of the monsters under the bed, and of fighting back in whatever way possible." @parkettchannel.it


"Ultimately, This Is Crowland is not just a collection of songs—it’s an experience. It’s a musical statement that doesn’t pull any punches." @parkettchannel.it


"A deeply personal yet universal soundtrack, it feels like an anthem for a time that has become uncomfortably familiar—one where the pendulum swings violently between chaos and control, identity and conformity." @parkettchannel.it


"At its core, This Is Crowland is a meditation on resistance, identity, and the absurdity of existence, set to a backdrop of throbbing basslines, searing synths, and the unrelenting pulse of techno." @parkettchannel.it


"There’s a fierce authenticity in This Is Crowland—an album that feels as much about the creators’ catharsis as it is a rallying cry for anyone who’s felt the weight of an oppressive world." @parkettchannel.it


"If the world is truly spiraling toward chaos in 2025, then this is the soundtrack for those willing to scream into the void and fight back with every beat." @parkettchannel.it


"There is no filler here, just raw energy and brutal honesty. In a time where art feels as fractured as the world itself, 9 o’clock Nasty has crafted something truly exceptional." @parkettchannel.it


"Leicester-based indie rock provocateurs 9 O’Clock Nasty are back with This Is Crowland, a raucous, rebellious, and wildly entertaining full-length album that revels in its irreverence." – @musicearshot


"This Is Crowland establishes itself as a raw and unfiltered experience, unafraid to challenge, provoke, and entertain." – @musicearshot


"In an era of overproduced, safe, and formulaic music, This Is Crowland stands out as a bold, chaotic, and deeply authentic piece of work." – @musicearshot


"Clocking in at 15 tracks with no filler, the album is a sonic middle finger to conformity, a celebration of chaos, and an invitation to embrace the absurdity of modern life with a knowing grin." – @musicearshot


"Tracks like Unkle Natur and The Wrong Guy showcase the band’s signature blend of jagged guitars, swaggering rhythms, and biting lyricism." – @musicearshot


"There’s an undeniable sense of fun woven throughout the album, a reminder that rebellion can be as much about laughter as it is about rage." – @musicearshot


"The production is deliberately rough around the edges, giving This Is Crowland an unpolished, garage-rock feel that suits the band’s DIY ethos." – @musicearshot


"9 O’Clock Nasty delivers an album that doesn’t just invite listeners into their world, it drags them in, kicks down the door, and demands they dance in the ruins." – @musicearshot


"The album’s opening track, 'Crowland', is filled with raw energy and a sense of urgency that makes you want to shout along. It’s the kind of anthem that gets under your skin, pushing you to embrace the chaos with the band." @edgarallanpoets


"'Smash Grab and Go' brings a dose of 90s grunge, introducing a riff that transports you back in time. The band’s influences are clearly diverse, and they wear them with pride." @edgarallanpoets


"'Shrink Wrap' is a departure from the intensity of its predecessors. This track takes on a more avant-garde approach, combining influences from the Beastie Boys with electronic sounds that are unsettling and thought-provoking." @edgarallanpoets


"The infectious vibe is impossible to ignore, showing the band’s knack for blending genres while staying true to their unique style." @edgarallanpoets


"'The Wrong Guy' surprises with its rapid-fire lyrics and a beat that could have been pulled straight from a Hip Hop record." @edgarallanpoets


"It’s experimental, creating an atmosphere that feels otherworldly. The dissonant tones and unusual arrangements challenge your expectations but reward you with a unique listening experience." @edgarallanpoets


"You can tell this is a band that’s not afraid to take risks." @edgarallanpoets


"Every track on this album reveals a little more about their artistic vision." @edgarallanpoets


"Imagine an imaginary place where the clock hands go backwards, where there are only two television channels that broadcast patriotic music and old Shakespeare classics and where everything seems crystallized." @artistionline_playlist


"The three British rockers, even more unleashed than usual, have called this new piece of theirs a 'musical violence', where the guiding voice of the singer Ted Pepper emerges who half sings and half screams, in a calm and controlled chaos." @artistionline_playlist


"Rock lovers out of the box will surely love this song, a single from the album This Is Crowland." @artistionline_playlist


"Every track brings its own unique flavour, yet the band exhibits a remarkable diversity and fusion of musical styles, encompassing post-punk, alternative, glam, gothic techno, hip-hop, trance, and many other genres." @rockeramag


"Listening to the album was somewhat challenging for me, as I had already heard many of its singles beforehand. This presented one of my toughest challenges yet, as I genuinely doubt any listener could pinpoint a negative track." @rockeramag


"Revel in the chaos, embrace the absurdity, and let the music be your rallying cry. Each track on 'This Is Crowland' is a testament to resilience and defiance, a sonic journey through the labyrinth of modern existence." @rockeramag


"As you listen to the album, you’ll find it very enjoyable. Its well-crafted structure, strong vocals, melodic riffs, and exceptional mixing and mastering create an iconic experience." @rockeramag


"With this album, 9 o’clock Nasty invites you to join them in their artistic protest, to dance on the ashes of what was and to build anew from the rubble." @rockeramag


This is 9 o’clock nasty’s most versatile, most direct, and most painful album. @mangowavemagazine


Welcome to the sphere between the one and the zero, where categories dissolve and barriers vanish. @mangowavemagazine


This is the eye of the storm, the space where the true resistance gathers, This Is Crowland @mangowavemagazine


You can tell that the album was a labour and blood, sweat and laughs for the band and the hard work has paid off. It’s their most accomplished record to date, with plenty to unpick @york_calling


The band wanted to make songs that hold their own against some of alternative indie’s best and I have to say they’ve done that. 9 o’clock Nasty truly have a sound that’s their own, both anarchic and polished. @york_calling


“It makes sense that this is music from another place, or perhaps a dark, shadow aspect of our own world, the titular Crowland, because the songs found here sound so wonderfully other, avoiding the fickle fad and fashion of the real world.” — @bigtakeovermag


“After ‘Crowland’ itself sets the tone like ‘The Sweet’ trying their hand at hip-hop—and it is better than I make that sound, much better – the band wanders all over the anarchic fringes of the musical map.” — @bigtakeovermag


“All killer, no filler…as the kids used to say. And why? Because all the songs that didn’t make the grade are buried in a landfill site just outside Leicester… apparently.” — @bigtakeovermag


“Fifteen choice sonic cuts, all with something to say, all standing on their own two feet, each good enough to be sent out into the world as a single or maybe a sort of ‘we know where you live’ sonic threat.” — @bigtakeovermag


“They play with growling post-punk poise with ‘Smash Grab and Go,’ which doesn’t sound unlike ‘The Fall’s’ more accessible moments.” — @bigtakeovermag


“Dirge-disco-punk in the form of ‘Bad Vegan’ and ‘Coliseum’s’ sleazy, low-slung garage rock apocalyptic boogie!” — @bigtakeovermag


“And the message? Well, it might be, ‘Just because there are monsters under the bed, doesn’t mean that you can’t point and laugh at them’ …just try not to elect them President….damn, too late.” — @bigtakeovermag


“Only, totally of the now, too, a blend of stomping analog glam-anthems (glamthems?) and delicious digital adventure, classic moves and modern grooves…or perhaps, vice versa.” — @bigtakeovermag


"9 o’clock Nasty is back with an explosive new album titled This Is Crowland, making a bold statement against the chaotic times of 2025. With 15 songs packed into just under 40 minutes, this album offers an intense listening experience that’s anything but boring." @landonbuford


"From the powerful title track 'Crowland' to the energetic 'The Wrong Guy,' 9 o’clock Nasty blends raw excitement with a playful twist, showing that even in tough times, there’s always a reason to have fun and be bold." @landonbuford


"Their music mixes punk energy with catchy beats, representing the struggle between freedom and control in today’s world. 'This album is about standing up for yourself,' the band explains." @landonbuford


"9 o’clock Nasty's new album is a wild ride through the craziness of modern life." @landonbuford


"The band delivers sharp humour and a rebellious attitude, creating songs that inspire you to dance, shout, and challenge the status quo all at once." @landonbuford


"9 o’clock Nasty encourages you to laugh in the face of challenges, embrace the chaos, and take charge of your story." @landonbuford


"Even in tough times, there’s always a reason to have fun and be bold." @landonbuford


"This album offers an intense listening experience that’s anything but boring." @landonbuford


"Prepare yourself for an unforgettable ride because your playlist is about to welcome a brand new set of songs as you tune in to the latest album by 9 o’clock Nasty, This Is Crowland." - @sinusoidal.music


"9 o’clock Nasty never fails to impress listeners with their compositions because they offer a diverse range of sonic elements that captivate the audience in no time." - @sinusoidal.music


"The rhythm section in all of them is going to force you to lose yourself in the grooves to an extent where you don’t wish to get over them." - @sinusoidal.music


The album 'This Is Crowland' by 9 o’clock Nasty is an out-and-out indie alternative rock album that promises a unique listening experience with its fifteen diverse tracks. - @sinusoidal.music


Listeners are rewarded with gritty riffs and melodies, and with every passing moment, this album keeps getting better and better. - @sinusoidal.music


Each song in the album offers different vibes and feels, both in terms of composition and overall idea, creating a captivating listening experience. - @sinusoidal.music


The album’s compositions captivate the audience in no time, leaving them curious and expectant for what comes next. - @sinusoidal.music


You will not be able to resist yourself from playing the whole album all over again due to its exceptional rhythms and diverse sonic elements. - @sinusoidal.music


“With their latest album, 'This is Crowland', 9 O’clock Nasty takes the listeners on a rebellious sonic adventure which will be difficult to forget." - @musechronicle.music


“If this fabulous band were to start a cult, I would join it without even thinking for a single second." - @musechronicle.music


“The versatility that 9 O’clock Nasty offers the listener is praiseworthy and their creativity with the music demands appreciation.” - @musechronicle.music


9 O’clock Nasty is a super-talented alternative indie rock band from Leicester, England that is stunning listeners with its unmatched talent and musical prowess. Their unique sound and charismatic personality successfully hook the listeners to their music, making 9 O’clock Nasty a musical force to reckon with. @musechronicle.music


The band’s chaotic energy is very contagious and drives a certain bolt of current to the listener’s body. The versatility that 9 O’clock Nasty offers the listener is praiseworthy and their creativity with the music demands appreciation. @musechronicle.music


9 O’clock Nasty have gifted us with one of the most enigmatic and infectious performances in the history of music with their album 'This is Crowland'. If this won’t get your blood pumping, I don’t know what will. @musechronicle.music


So, strap on your boots and get ready for an epic sonic journey with 9 O’clock Nasty’s 'This is Crowland'. " - @musechronicle.music


“Finally arrived this one we've been waiting for so long, the new and powerful album of the geniuses of modern punk rock 9 o'clock Nasty, sensational work that involves us from beginning to end." - @indieoclock


“The Wrong Guy is extremely relaxing, it brings a surprising hip-hop sound again, full of quality and expressiveness, arrangements that take us to the root hip-hop, from the 90s and 80s.” - @indieoclock


“No more spoilers, this work is a mixture of styles that show us the versatility of 9 o'clock Nasty, how talented this band is and how they can make us travel in their songs.” - @indieoclock


“The album already starts with everything with its first track Crowland, an organized, perfect instrumental song, which brings the essence of Rock and punk.” - @indieoclock


“Unkle Natur brings a striking guitar, rock that brings a hip-hop footprint and surprises us, showing how the band knows how to work well in different rhythms.” - @indieoclock


“Smash Grab and Go is the third track it is a hit, it sticks to our mind and brings us a lot of energy, it is a scream that comes out of the soul, it is magical.” - @indieoclock


“Listen now: this work is a mixture of styles that show us the versatility of 9 o'clock Nasty, how talented this band is and how they can make us travel in their songs.” - @indieoclock


“This Is Crowland is the name of the new working album of the geniuses of contemporary punk rock 9 o'clock Nasty, with 15 songs the record is a real gift.” - @indieoclock


“9 o’clock Nasty’s latest album, This Is Crowland, is a dynamic fusion of alternative indie rock that captivates listeners with its eclectic soundscapes.” @space_sour


“Spanning fifteen tracks over approximately forty minutes, the album showcases the band’s versatility, with each song offering a distinct rhythm and groove that keeps audiences engaged from start to finish.” @space_sour


“Notably, tracks like ‘Bad Vegan’ and ‘Coliseum’ exemplify the band’s signature ‘dirge-disco-punk’ style, delivering a raw and invigorating energy.” @space_sour


"There are albums that sound like war cries, others like poisoned whispers in your ear. 'This Is Crowland' by 9 o’clock Nasty does both at once, with a crooked smile and a dangerous gleam in its eyes." – @radio.armazem


"It's an invitation to collapse, a call for resistance, and above all, a sarcastic celebration of disorder. Fifteen tracks, no fat, no concessions." – @radio.armazem


"This is not an album for placid souls or those who find comfort in passivity. It’s a manifesto disguised as a dirty party, where each track fights for its space like a survivor in a world on fire." – @radio.armazem


"Crowland, this spectral place, serves as a mirror and metaphor for a world on the brink of collapse, where freedom has become a rare currency and conformity hides at every turn." – @radio.armazem


"If tomorrow looks like a nightmare, the answer comes in the form of a strident mockery, with guitars that grind like clenched teeth and an unrelenting beat, with grooves that infiltrate your skin and leave no room for calm." – @radio.armazem


"The building of walls to later tear them down happens with a constant, precise beat, while the sensation of suffocation and claustrophobia emerges in dry, sharp chords." – @radio.armazem


"And the irony is poured out like distilled poison, proving that even in chaos, there’s room for sharp, merciless humor." – @radio.armazem


"'This Is Crowland' doesn’t just compare to great indie and alternative albums; it challenges them, shakes them, pushes them out of the way." – @radio.armazem


"Because, in the end, if everything is crumbling, the only possible response is to dance on the ruins and laugh in the face of the abyss." – @radio.armazem


"Their latest release, This Is Crowland, is an electrifying 15-track project that blends elements of alternative rock, glam rock, and post-punk. Rugged guitar riffs, fuzzy bass, and energizing rhythms immerse the listener in an array of grungy soundscapes." - @senocular_media


"Angsty vocals slice through the instrumentation with a vengeful presence. The album explores the twisted world that the hierarchy has created for its citizens." - @senocular_media


"9 o’clock Nasty’s new album, This Is Crowland, is a true punk masterpiece and the perfect addition to any alternative playlist." - @senocular_media


"Rugged guitar riffs, fuzzy bass, and energizing rhythms immerse the listener in an array of grungy soundscapes." - @senocular_media


"9 o’clock Nasty bring their signature phonk rock vibe with a thrill that cannot be matched by any band out there." @audiokaradipress


"Crowland is a perfect intro to a genre that is now officially theirs, with raccoon rock having its origins only with the boys." @audiokaradipress


"Making every song anthemic, keeping the energy up and giving their best—this is why rock will live on." @audiokaradipress


"They’re mad hatters, out with purpose to make Peter Pan’s Neverland a home for all the misfits out there." @audiokaradipress


"This identity revolves around creating a sound that relies on electronic elements as a background spice for distorted guitars, aggressive vocals and a groove-filled kitchen." @musicforallmag


"The result is masterful tracks like "Crowland" (which got a really cool music video), "Unkle Natur" and the punk "Bad Vegan", but listening to the entire album is essential." @musicforallmag


"From Leicester, United Kingdom, 9 o'clock Nasty gives us 'This Is Crowland,' an album that feels like a cry of resistance in the midst of chaos." - @lacavernamx


"Each track in 'This Is Crowland' has a purpose, with no room for the fill. Songs like 'Unkle Natur', 'The Wrong Guy' and 'Coliseum' encapsulate the fight against conformism." - @lacavernamx


"The central theme of the album is reflected in 'Crowland', a song that plays with sharp metaphors and unwavering energy." - @lacavernamx


"This British trio channels social discontent into an explosive mix of indie rock and post-punk with a biting and provocative style." - @lacavernamx


"The lyrics—'A pen is a sword when you're sharp with the word'—reflect the essence of the album: the word as a weapon and music as an act of resistance." - @lacavernamx


"'This Is Crowland' is not just a collection of songs, but a bold statement in uncertain times." - @lacavernamx


“9 o’clock Nasty’s ‘Crowland’ is an unsympathetic homage to garage rock’s raw potential. The song is handled by searing guitars and a persistent rhythm section that never relents.” - @lostinthemanor


“The vocals are swaggering, lead reciting clever, cheeky lines as much fun to analyse as to sing along to. The tune has a raw power that is akin to jumping into a manic live show, with just enough anarchy to create interest.” - @lostinthemanor


“With its rough exterior and cheeky bite, it’s a fantastic anthem for anyone who can handle their rock with a touch of trouble. ‘Crowland’ is a song that doesn’t overdo it, and that’s why it’s charming.” - @lostinthemanor


Saturday, 11 January 2025

King Thing (re-release)

     

"King of Hackney, All Obey Me.”

This is our January 2025 single release, a shimmering crescendo.


The old kings shall fall and new ones rise up to take their place. It seemed that the Age of Entitlement was at an end, but white male privilege is once again ascendant. 


King Thing is a song about feeling better, more special. Like you’re just waiting for the magical moment when they fall to their knees and recognise that you are the one. When your skin is the right colour, your reproductive organs pass the conservative media test, your age is respectable and yet somehow you struggle to come to terms with the deck of cards you’ve been dealt when you see how much shit the people around you are taking. Beyond toxic masculinity, guilt and rage. From Hackney to Leicester. From Derby to Brighton. By car, by bicycle, by camel.


We first released this tune in 2023. We've been able to remix and improve it quite a bit using all the tricks and techniques we have learned since. The song has been heavily re-recorded and edited to make it as good as we know how. Because we love it. It pops with intensity and purpose. Just how we like it.


We were asked to contribute a tune to the upcoming compilation LP for the Lucy Phillips Art Fund “I’m Not A Fucking Metronome” and this was the tune we picked.


Of all the songs we’re made, this is one that comes back to us again and again. That beat. That majestic guitar. That dirty, dirty bass. We’ve been naughty and it feels so good.


We hope people will like it and will buy a copy of the LP on Bandcamp from https://lucyphillipsartsfund.bandcamp.com/


Available at > YouTube | Amazon Music | Spotify | Apple Music


Much love to the people that have taken time to listen to our stuff and write about it.

@jpgchief said “The reverb-drenched drums, charming guitar riff, and infectious groove create an undeniable cadence. The sharp satire in the vocals, coupled with a powerful bass and dynamic mood shifts, establishes Nasty’s new offering as an essential listening experience.”
“All hail the one and only, all hail the king!”

@edgarallanpoets said “the song seems to live in this delicate balance of control and chaos”

“It’s relentless, unyielding…. When it all comes together, King Thing feels like a vision made manifest: a blend of chaotic energy, solid rhythm, and a psych-rock twist that takes you on a wild ride.

@rockeramag said “it is their signature to deal clearly deep philosophical messages in their hairy and hammer-fisted songs”

“profound depth that is often in stark contrast to their sonic haphazardness… continue to prove that they are a band of intelligence and with a unique musical persona” 

@cocomyrrh said “memorable, meaningful, and full of life. The beat sticks in your head, the guitar soars, and the bass gives the track a gritty edge that’s impossible to ignore.”

“Beyond toxic masculinity lies guilt and rage.”

@fvmusicblog said “engaging beats, memorable melodies and punchy production”

“One of the most hard-working bands on the indie scene, 9 o’clock Nasty, are back with the outstanding single, ‘King Thing‘“

@music.ev0lution said “masterful blend of classic rock influences with modern twists creates a sound that’s both melancholic and invigorating.”

“sharply constructed yet maintains the rawness that defines 9 o’clock Nasty‘s signature style”

@thisaktmusic said “"King Thing" is a powerhouse. The track opens with a hypnotic beat that sets the stage for its ominous yet irresistible energy. The bassline, dirty and unrelenting, anchors the song, while the majestic guitar riffs add an almost regal texture to the composition.”

“This interplay of elements creates a soundscape that feels both rebellious and grandiose, a fitting backdrop for the track’s thematic depth.”

@musicearshot said “This isn’t just music you hear; it’s something you feel deeply, pulling you in completely.”

“meticulous production ensuring every note hits its mark. The bassline, described by the band as "dirty, dirty bass," is a standout feature, giving the track a raw, almost primal energy that complements its themes of rebellion and power dynamics.”

@york_calling said “Stripped-back verses trade blows with lush choruses before arriving a lingering outro that will stick with you.

“The track gets going with a funky percussive groove before attitude-laden vocals come in. As ever, 9 o’clock Nasty’s irreverent lyrics shine, full of edgy poetry.”

@audiokaradipress said “It is the build-up to which crime is committed, to which resolve is made-the tune that takes other tunes on in a fistfight. Here’s the win, and it's a K.O:”

“King Thing is one of those singles that becomes your swagger sound, with the wah pedal accenting your corduroy jeans swishing in the winter chill.” 

@info_music_fr said “exudes raw energy and rare emotional depth”

“explores complex themes such as toxicity, guilt and rage, mixing incisive lyrics with majestic guitar riffs and an intensely dirty bass.”

@songplodemusic said “The group’s characteristic blend of Alternative Rock, Post-Punk, and Art Rock spills into this track, creating a sonic rollercoaster that’s as precise as a Swiss watch yet packed with gritty undertones.”

“This isn’t just a song—it’s a volley against the perpetual inequities cloaked in the tunes of rap rock gusto and new wave fervor.”

@sinusoidal.music said “establishing a sense of swagger you probably don’t have the fast fashion to carry…. The Beastie Boys energy is laced into the track like a spiked drink”

“put it in a pepper shaker, and give us an even profile of flavour. You know yourself, when have you ever deliberately eaten a whole peppercorn?” 

@lacavernamx said “ombines majestic guitar riffs, intensely dirty bass lines and a rhythm that beats with purpose, showing the creative evolution of the band.”

“the lyrics, enigmatic and provocative, move between references to fallen monarchies and surreal journeys on camels, encapsulating the unique style of the band that mixes humor and criticism.” 

Saturday, 14 December 2024

Kid Blast

    

"Be cool, wrong none.”

This is our December 2024 single release, a seance with guitars.


We walk the Earth for but a few years. Judge us by the trail of love or destruction we leave behind.


Be Cool. Wrong None. The rest you can work out for yourself. 


That’s the message of KID BLAST the new single by 9 o’clock Nasty, Leicester’s very own couture arthouse punk masterminds. Deviants with a purpose. Sonic mischief as a weapon of choice.


This is a song with a hook so infectious it will live free in your head for the rest of 2024 and beyond. A song with a message to live by for far longer.


Kid Blast was a real human. He got up like you. He sat on the toilet like you. He had friendships like you. He left a mark on the world, just like you will.  He inspired our song.


Choose the mark you make. Take care with the traces you leave. Then blaze the path you choose. Take your light into the darkness when the story ends. Light the way for the lucky ones that follow.



Available at > YouTube | Amazon Music | Spotify | Apple Music


Much love to the people that have taken time to listen to our stuff and write about it.

@jpgchief said “a powerful anthem of bad-assery. Prepare for, “Kid Blast”, a wonderful and groovy single that will knock your socks off.”
“to be sung, as loud as you can, within the safety of your bedroom.”

@thisaktmusic “Known for their sharp wit, cutting-edge sounds, and ability to fuse anarchic energy with profound themes, the band cements their reputation as a powerhouse in the alt/indie scene.”

“"Kid Blast" is a sonic rollercoaster.”

@tjplnews “Anchored by a raw, driving melody and a hook that lingers long after the last note”

“In true 9 o’clock Nasty style, the track fuses sharp wit with introspection.” 

@roadiemusicmag said “the impulse of punk with an interesting hard rock sensuality”

“having a state of awareness in the face of the choices made, in order to understand that they will transform the lives of many others” 

@rockeramag said “endlessly engaging songwriting, sizzling hot confidence, and flamboyant display of their philosophies in the form of catchy punk earworms."

“‘Kid Blast’ is one more of the band’s deceptively simple releases. On the surface, ‘Kid Blast’ stuns with the directness of its riffs, the simplicity of the beats, and the hooligan quality of its infectious group hollers. But digging a little deeper we will find a song with a beating heart that never stops”

@york_calling said “Straight, swaggering rock and roll”

“It suits the track’s message, especially during a defiant, chanting chorus.”

@sinusoidal.music said “Kid Blast hits you like a shot of adrenaline. It’s a straight-up rock n roll track with no frills, just a tight groove and razor-sharp guitars.”

“The track’s simplicity is its strength. There’s no over-production here, just the raw, unfiltered energy that 9 o’clock Nasty does so well. The hook will get stuck in your head, no question about it.”

@theothersidereviews said “Relentless and rambunctious, 9 o’clock Nasty is the band you don’t take home to your mother.” But Nicole, you promised we could meet her if we behaved….

“Sentimental and sincere, it’s not a ballad to be adored but a cheeky kid with a rapscallion attitude who wants you to consider him a rogue, but he’s too cute for that.”

@pitchperfect158 said “It’s a celebration of attitude, delivered with a smirk and a punch.”

“The band channels the same irreverent spirit that made the Beastie Boys' "Fight for Your Right" a generational touchstone. A ripping guitar solo provides an electric jolt, but it’s the shout-along chorus that cements the track’s staying power.”

@audiokaradipress said “Kid Blast brings the sting of a paper cut and the goodness of a groovy strut all in one swoop”

“There is no waiting, for Kid Blast never waited. Thrown straight into the bubbling potion of energy that the song is, 9 o’clock Nasty are your impromptu rock band that inspired your kid to pick up Smoke on the Water at 9 o’clock in the pm. You can almost hear the whole faction sing the song with passion for the gangster.”

@cheerstothevikings said “I wasn’t prepared for how much this song would stick with me, but here we are.”

““Kid Blast” is raw energy from the first beat. The powerful synergy between guitars, drums and vocals is polished to perfection and the result is an irresistibly catchy tune.”

@allenpetersonreviews said “playful sarcasm and nonstop energy”

“It’s deceptively straightforward—direct riffs, simple beats, and a shout-along chorus that feels like it was made to echo through packed rooms. What makes this song so special is how real and down-to-earth it feels.” 

@lostinthemanor said “9 o’clock Nasty knows how to pack their music with power, wit, and charm”

“artsy, authentic, and audacious sound, blending punk fervor, indie and hard rock energy.”

@lacavernamx said “With its mix of sonic chaos and provocative lyricism, 9 o'clock Nasty redefines modern punk while reminding us that music can also be a tool for introspection.”

“a punk song full of attitude and reflections.” 

Friday, 15 November 2024

Too Cool (The EQ Remix)

   

"He's the low fat Jesus, the Indie King.”

This is our November 2024 single release, a psychotic twisted dance ballad.


In the beginning there was bass. Then some drums came along. It was good.


Do you remember Too Cool? Well, it’s back baby! 


Remixed, re-imagined and rebuilt by Mark Yorath (EQ) working with Phil Haywood and DJ Mastersafe. The three wise humans. Savants of the lowest frequencies, able to function at the dizzy pace of 175 bpm. Wizards from the Drum & Bass world breaking our bones and fusing them into grotesque new shapes.


At first we were afraid. We were petrified Thinking our poor song was broken, cast aside. And after spending nights thinking it would turn out wrong, we grew strong. We heard the bass and knew we’d get along.


Working with cool people, artists with knowledge and ideas we couldn’t even begin to comprehend: that excites us.


Mark Wise took us into a strange heartbeat-driven Techno world. Preyswitch dragged us through the icy sonic waste. Kingflame shone sunlight and joy onto our strange little tune. Now EQ has left us punctured and bruised on the dance floor and the beat rumbles on and on. We twitch. We mewl. We weep with joy.


So, ride the insanity. Roll back the carpet and take off your shoes. Feel the floor as you dance like everybody is watching and you just do not care.


Video created by Mark Yorath.



Available at > YouTube | Amazon Music | Spotify | Apple Music



Much love to the people that have taken time to listen to our stuff and write about it.

@jpgchief said “Fast, exciting, and mind-bending, the three elements used to create such a powerful beat that no-one will ever resist dancing to. It’s chaotic, exhilarating, pitch-bending… awe inducing.”
“Better to get ready now, so grab your dancing shoes and maybe a defibrillator.”

@KIMU said “invites us to feel the beat deep in our bones, to lose ourselves in the madness of the remix while still retaining the message of the original. It’s cerebral, yes, but it’s also a visceral experience that pulls us into its thrall.”

“Mark Yorath’s vision for the track takes us on a journey, balancing a subtle blend of chaos and order, like a dance between the brain and body, pulling us into its rhythms while our mind tries to catch up. The result is a sonic landscape that feels both alien and welcoming, frenetic but strangely cohesive.”

@edgarallanpoets said “the remix morphs and twists into an addictive blend of chaotic yet controlled energy thanks to creative mind of Mark Yorath (EQ)

“Masters of collaboration, finding the right partners to transform their sound yet keep the core intact.”

@fvmusicblog said “It is a must-hear release complete with charismatic performances, exciting beats and textured production”

“a single that shows a fresh side to 9 o’clock Nasty and we can not wait to hear more!”

@york_calling said “The beats hit hard during an old school intro before the familiar 9 o’clock Nasty storytelling comes in.”

 “It’s a track that’s impossible to not bounce along to. Just remember to get your glow sticks out.” 

@musicforallmag said “grows in euphoria, synthesizing and refining the lines of mental control”

“Reimagined and reshaped by Mark Yorath (@EQmixes) in collaboration with Phil Haywood and DJ Mastersafe, 9 o'clock Nasty, the sound settles into a breakneck 175 bpm tempo that expands our rhythmic understanding of musical color and perception.” 

@roadiemusicmag said “Bubbles and disconnected voices follow the path of freedom towards the relaxed and uncompromised”

“Too Cool, a cover embedded in a massive drum n' bass structure of an extremely danceable character.”

@musicaenpalabras_ said “EQ's work is outstanding, taking the subject to a higher level and offering something much more experimental without losing the essence.”

“It is a mix that reflects the spirit of the band: daring, bold, but always aware of their own identity.”

@sinusoidal.music said “Gone is the catchy rock vibe of the original, this new version dives headfirst into techno and drum & bass territory”

“The sharp production amplifies the track’s energy, and those layered beats, wow, they hit and push you into the dance floor.” 

@rockeramag said “this remix for ‘Too Cool’ is not only sonically fitting, it is also fun, engaging, and full to the brim with exciting idea”

“The EQ remix for ‘Too Cool’ is something extraordinarily different from the real thing, yet it is equally gripping and entertaining. A terrifically well-made remix. “

@extravafrench said “Where the original Too Cool already shone, Mark Yorath plunged it into a technoid bath, reshaping it into a raw and pulsating version. “

“this EQ version redefines the very essence of the title. Every note, every drop, every calculated silence makes your whole being vibrate.”

@senocular_media said “Pitched-up vocals from the original track infuse the remix with a punky angst that supercharges the song.”

“an intoxicating EDM banger and the perfect addition to any electronic playlist.”

@littlechiefmusic said “an auditory delight, this remix takes the original track to wild new heights, blending throbbing basslines and pulse-racing beats that’ll leave you mesmerized”

“Whether you are dancing alone or leading the crowd, this song is all about raw and unadulterated fun.” 

@indieoclock said “psychedelic traits in the transitions and the excitement that makes us get in the mood and then the track runs in our veins and electrifies us.”

“Music breaks barriers, bringing punk rock to this more electronic style.” 

@thisisapolloharp said “chaotic funk style, brimming with unconventional glamor, new ideas,”

“Industrial stylings like aggressive avant garde fusions, electronic noise samples, and distorted background vocals. That quality of shock that is usually associated with the genre, is nicely meshed in with the rest of the bizzare-aligned elements”

@lacavernamx said “a visceral experience for the dance floor. From oscillating synthesizers to hypnotic rhythmic progressions”

"plays with contrasts that range from the intensity of the bass to a unique sound design.” 

Saturday, 12 October 2024

Bad Vegan

  

"Hospital food. Greased with lube.”

This is our October 2024 single release, a small slice of what you need.


The truth. Once you have kissed real meat, the flavour lingers longer than you could possibly imagine. A rich, evocative taste. Death, fear and muscular flesh. Only the strongest can resist. In the end we must all become the BAD VEGAN. 


We threw away the rulebook when we wrote this song. We let the pulse run through us. We screamed and we laughed and we laughed. The speakers would not go any louder, and we asked them, begged them. We screamed and we prayed for more volume.


Then we went back and got the rulebook from the trash, because rules add Craft to Art. They sharpen excess. So here is a song for you that is way too big for its stunted angry 1 minute 35 sonic assault. 


Nobody plays anything at maximum volume anymore. Do it. Break the rules.


Grow me in your lab. Make me pure.



Available at > YouTube | Amazon Music | Spotify | Apple Music


Much love to the people that have taken time to listen to our stuff and write about it.

@jpgchief said “THIS ELECTRIFYING TWO-MINUTE RUSH OF BOLD CYNICISM AND SOARING HIGH-GAIN GUITARS IS A MUST-HEAR.”
““Bad Vegan” is a bold declaration that craves authentic meat. A powerful fusion of explosive drums and punk-infused riffs. It is a revelation of chaos and anger, colliding with sonic overdrive.”

@groover_city said “We’ve looped the track relentlessly, seduced as much by its audacious brevity, which delivered multiple eargasms in record time, as by our speakers, which practically grovelled for an encore.”

“this 1 minute and 35 seconds of pure, unfiltered adrenaline proves that brevity truly is the soul of wit and wild abandon”

@rockeramag said “A short, fast-paced, and electrifying piece of garage rock with an infectious groove and an unforgettable melody... a ton of fun”

“From its diminutive runtime to its breakneck pacing and its skeletal and defined arrangement, ‘Bad Vegan’ is a short journey through everything that makes garage rock endure the waves of time.”

@edgarallanpoets said “the song’s brief runtime is deceptive, by the time it ends you feel like you’ve experienced something far more immersive”

“A quick hit of energetic, psychedelic madness”

@thepolyphonicpressco said “They write riffs that are stickier than maple sap, quicker than a racoon whose beaver is on fire.”

”Bad Vegan is another anthem, with the band leaning into their acerbic wit and satire, while packing the dynamite energy they have so often teased us with.”

@york_calling “Bad Vegan is a cacophonous 95-second punk track with plenty of surrealness in its lyrics.”

“Growling vocals share the platform with singalong harmonies in a number with plenty of textures.” 

@theothersidereviews said “‘Bad Vegan’ is a kick-ass tune to be played at full volume letting the demons rest before crashing back into our souls”

“raucous, unruly, inexplicably uncouth rush of seething turmoil waging a war inside your head.” 

@musicforallmag “Without an explosion, but with a harmonic touch”

“mockery and cynicism in a slightly violent degree that addresses, with a certain touch of humor, the disparity between vegans and carnivores.” 

@sinusoidal.music said “Headbanging is absolutely inevitable as distortion-laden guitars create intense textures. When the 1:35 mark arrives, the urge to hit replay becomes overwhelming—such is the addictive magnetism of their sonic overload.”

“Anthemic howls rail against a plant-based world from a place of carnivorous instinct. “Bad Vegan” by 9 o’clock Nasty bears the band’s anger and restlessness. Punk fans will find much to love in this balls-to-the-wall explosion of relentless drums, visceral vocals, and scorching guitars. It’s the epitome of cathartic musical mayhem.”

@extravafrench said “The title exudes revolt, satire, and a savage criticism of a world where even acts of distrust, such as throwing a brick at a politician, are perverted by animal exploitation.”

“The lyrics are not just a nod to veganism – it's an existentialist dissection. The line "They put blood in the bricks" is not there to make you think about veganism; it is there to make you realize that, in this world, corruption and brutality are omnipresent, down to the smallest details.”

 @musechronicle.music said “Sonically, the song goes hard af. From the start, the distorted guitar sounds and the heavy drums will get your vibing”

“…harming our fellow human beings with our act of just existing.”

@indiespirits.blog said “the track grabs listeners by the throat with raw, unapologetic intensity.”

“ The chaotic soundscape, built on driving guitar riffs and snarling vocals, reflects the band’s desire to push limits both musically and thematically.”

@lostinthemanor “As tight as tight can get is the feeling you get when listening to this fast-paced, mini-explosion of a song.”

“9 o’clock Nasty creates a chaotic soundscape and arranges it to create pure fun in a 1:35-minute song. The melodic chaos is almost like an anthem with the layers of vocals.” 

@thisisapolloharp said “Uniting anthemic elements with denial, delusion, and defiance, they have that rebel energy that goes back to the OG rock legends”

“Designed with that retro, 80s ethos, especially in its rhythm, the track swings with a style that you want to get more and more of. The band has always had an announced charisma that stays active and dynamic throughout their compositions. But in this one, the rock n roll adds a riz that can go on for days.”

@lacavernamx “an almost cathartic intensity with provocative lyrics that reflect the dilemma between purity and decadence.”

“The song evokes the complexity of desire and the internal struggle, where the taste of real meat becomes a metaphor for longing.” 

Saturday, 7 September 2024

The Wrong Guy

 
"The Question? Bloodflow.”


This is our September 2024 single release, hot on the heels of the rather marvellous Kingflame remix.


For when mistaken identity breaks the walls of your life. THE WRONG GUY. We’re all just an innocent face and a minor misunderstanding away from communal showers and hard toilet paper.


We make Art. With a capital letter. But sometimes we have to swerve too close to reality to say what we need to say, and that day under the beating San Diego sunshine, security got the wrong guy and lofted them to the wind. They were innocent until the moment they hit the pavement.


We loved remixing this song with Kingflame, but now we’re back to basics baby. This is the unadulterated, pure product.


One day THE WRONG GUY will be free. They will feel the breeze on their face and drink raw tequila in the shade of heavy construction equipment. We hope they enjoy the song we made for them. It was, after all, just a misunderstanding.


Available at > YouTube | Amazon Music | Spotify | Apple Music


Much love to the people that have taken time to listen to our stuff and write about it.

@rockeramag said “the subsequent chaos that results. Simple but powerful”

“reminds one of early The Clash compositions. Especially in the grim undertones that dominate the song, there is also a subdued allusion to the post-punk sounds of Joy Division.”

@jpgchief said “this may well be their finest creation yet.”

“pristine production, along with vocals and lyrics that are pure fire.” 

@musicearshot “a tale filled with disorder, comedy, and incisive societal critiques.”

“pushing limits by blending punk, rock, and funk to produce a sound that is both reminiscent of the past and innovatively current”

@york_calling “The “de-mixed” version gives us a stripped-back intro before big bass and keys hit.”

“proving once again that the idea of genre can’t keep their Leicester-based innovators confined.”

@fvmusicblog “addictive”

“Fuelled by driving beats, charismatic performances and thought-provoking lyrics”

@iggymagazine “imposes itself with its effervescent rhythm and technical flow.”

“impactful verses that mix vocal power and irresistible groove.”

@mangowave said "Somewhere between the energy of The Gastronaut and the erotics of Mickey Humpper, the nasty trio from Leicester has created another banger. 9 o’clock nasty may predominantly be famous for their Garage Rock, Post Punk and New Indie music, but this is some serious 80s style Rap sound."

@musicforallmag said “Many will remember Beastie Boys and Cypress Hill, but 9 o'clock Nasty stands out for its strong identity, so points for them, who still deliver a well-thought-out clip, simple in its take, but intelligent in the improvisations”

“considerable work, and always with a bittersweet tone, encompassing various styles. They come from the English city of Leicester, the largest in the East Midlands region, which has a total of around 330 thousand inhabitants”

@musicaenpalabras_ said “a mixture of irony and social criticism that, with its distinctive style, manages to capture the listener from the first second.”

“the rhythms are agile and the guitars set a vibrant tone, with a groove that slides through the song” 

@thisisapolloharp said “there’s that ever present deviance and depravity that the band is known for. Only it pops up in the most unexpected way.”

“funk whimsy takes on new levels of creativity in latest track, ‘The Wrong Guy’. A dynamic drive that sports catchy verse loops and vocal charisma.“ 

@sinusoidal.music said “This is your pub icebreaker, your bill inflator, and all you need for the greatest evening”

“the thumping beat your floorboards want to absorb. A soft piano melody runs in the background, your backyard stomp for the Beastie Boys like delivery they’re going to give. It’s fitting that all 3 of them are involved, adding to the chaotic chorus that would be your running anthem. Percussion is king for this song, and you’re in for a hip-hop treat that takes you the distance.” 

@lacavernamx said “enjoy two and a half minutes of pure energy. 9 o'clock Nasty manages to capture the essence of confusion and chaos with its characteristic irreverent touch.”

“we are all a misunderstanding away from ending up in unexpected situations. With a raw and direct sound, the band returns to its roots” 

@indieoclock said “a delicious mix of punk, hip-hop and alternative pop, a song that adds styles and shows that the group knows how to create good songs in any musical genre”

“Another authentic song, full of attitude and incredible, of the one that for us is one of the best bands in the world of contemporary alternative rock, and what a great hit this delicious Punk rap.”

 @musicistoblame said “electrifying punk rock trio that defies genre boundaries”

“skilfully fusing punk and hip-hop, the band shows us how two contrasting genres can come together, push boundaries and create a unique, electrifying listening experience.”

@allenpetersonreviews said “Known for their blend of punk, funk, and sarcasm, the trio steps into new territory with a head-bopping hip-hop beat that still carries their signature cheeky edge.”

““The Wrong Guy” suggests that there is strength in letting go, embracing the unpredictability, and finding a way to move forward.”