This Is Crowland, the difficult 4th Album

 

So, 2025. Great time to be alive! In December 2023 we made the last tweaks to a song called Crowland, all about a fictional parallel universe. The place that many people that we would loosely describe as cunty wanted to drag us all back to. A place without ethics, rights to self, care for others... a theocratic monocultural wasteland. In February 2025 when the album finally tears through the membrane, Crowland looks more real than we're comfortable with, hence THIS IS CROWLAND.

The title of this post is ironic, This Is Crowland was not a difficult album to record in any real sense.  We weren't starving or being prevented from doing exactly what we wanted in any way, and we had no lack of ideas. We also now have most of the practical studio skills to make our music sound more or less how we want it to sound. So no excuses, this is the real shit.

Not going to lie, never thought we'd make quite this much music in our short career. But then, all that time in rehearsal rooms with every other band I've been in, converted instead into songwriting and recording gives us the luxury or making a lot of music.

This is the best 9 o'clock Nasty album. That isn't the put down any of the others, but this one feels really special. The sort of thing you don't get to make often in a lifetime.

You can hear it:

On Spotify, Apple Music, Deezer etc etc. It's on all the streaming services and that is how most people listen to our stuff. No complaints, thank you.

You can also hear it, and see it free on Youtube on this playlist.

It's on Bandcamp as a CD or download, and on Patreon if you're a paying member.

The trackist is:

• Crowland
• Unkle Natur
• Smash Grab and Go!
• The Wrong Guy
• Hot Disco Shit
• Bad Vegan
• For the Sugar
• Pusher Needs a Haircut
• Kid Blast
• Coliseum
• Shrink Wrap
• Bad Monkey
• Devil Don’t Care
• Dead Pilot
• Paint Me

We wanted an album that was just popping with songs you'd skip to and play over and over. We wanted an album where every track would stand comparison with your favourite music. We don't want to make songs that are "good for an independent artist working on their own."

Fuck that. We want to make songs as good as anything ever produced. As well recorded and as well written as the very best music out there.

Judge for yourselves how close we got. There are certainly moments where we touch the sky.

Some of the songs popped easy. Smash Grab and Go and Bad Vegan were almost instant. Hot Disco Shit was (I think) just one afternoon to do, but that was after two years of it being half-complete. Paint Me was agony, we demoed it for "By All Means Necessary" the same night as Darker Star, but it just languished waiting for the moment. Then, something shifted and it landed. Pete put in long, long hours working on some of the edits to get them all to the final version.

We think Pete's mum likes "Coliseum" best. So that is officially the best song on the album. Ma Brock is the ultimate arbiter of truth.

We're dead happy with this album Proud. Content. So now we need to crack on with the next one.

As always, a huge thank you to anyone that wrote about the album. List of links below:

King Thing (re-release)

     

"King of Hackney, All Obey Me.”

This is our January 2025 single release, a shimmering crescendo.

The old kings shall fall and new ones rise up to take their place. It seemed that the Age of Entitlement was at an end, but white male privilege is once again ascendant. 

King Thing is a song about feeling better, more special. Like you’re just waiting for the magical moment when they fall to their knees and recognise that you are the one. When your skin is the right colour, your reproductive organs pass the conservative media test, your age is respectable and yet somehow you struggle to come to terms with the deck of cards you’ve been dealt when you see how much shit the people around you are taking. Beyond toxic masculinity, guilt and rage. From Hackney to Leicester. From Derby to Brighton. By car, by bicycle, by camel.

We first released this tune in 2023. We've been able to remix and improve it quite a bit using all the tricks and techniques we have learned since. The song has been heavily re-recorded and edited to make it as good as we know how. Because we love it. It pops with intensity and purpose. Just how we like it.

We were asked to contribute a tune to the upcoming compilation LP for the Lucy Phillips Art Fund “I’m Not A Fucking Metronome” and this was the tune we picked.

Of all the songs we’re made, this is one that comes back to us again and again. That beat. That majestic guitar. That dirty, dirty bass. We’ve been naughty and it feels so good.

We hope people will like it and will buy a copy of the LP on Bandcamp from https://lucyphillipsartsfund.bandcamp.com/

Available at > YouTube | Amazon Music | Spotify | Apple Music

Much love to the people that have taken time to listen to our stuff and write about it.

@jpgchief said “The reverb-drenched drums, charming guitar riff, and infectious groove create an undeniable cadence. The sharp satire in the vocals, coupled with a powerful bass and dynamic mood shifts, establishes Nasty’s new offering as an essential listening experience.”

“All hail the one and only, all hail the king!”

@edgarallanpoets said “the song seems to live in this delicate balance of control and chaos”

“It’s relentless, unyielding…. When it all comes together, King Thing feels like a vision made manifest: a blend of chaotic energy, solid rhythm, and a psych-rock twist that takes you on a wild ride.

@rockeramag said “it is their signature to deal clearly deep philosophical messages in their hairy and hammer-fisted songs”

“profound depth that is often in stark contrast to their sonic haphazardness… continue to prove that they are a band of intelligence and with a unique musical persona” 

@cocomyrrh said “memorable, meaningful, and full of life. The beat sticks in your head, the guitar soars, and the bass gives the track a gritty edge that’s impossible to ignore.”

“Beyond toxic masculinity lies guilt and rage.”

@fvmusicblog said “engaging beats, memorable melodies and punchy production”

“One of the most hard-working bands on the indie scene, 9 o’clock Nasty, are back with the outstanding single, ‘King Thing‘“

@music.ev0lution said “masterful blend of classic rock influences with modern twists creates a sound that’s both melancholic and invigorating.”

“sharply constructed yet maintains the rawness that defines 9 o’clock Nasty‘s signature style”

@thisaktmusic said “"King Thing" is a powerhouse. The track opens with a hypnotic beat that sets the stage for its ominous yet irresistible energy. The bassline, dirty and unrelenting, anchors the song, while the majestic guitar riffs add an almost regal texture to the composition.”

“This interplay of elements creates a soundscape that feels both rebellious and grandiose, a fitting backdrop for the track’s thematic depth.”

@musicearshot said “This isn’t just music you hear; it’s something you feel deeply, pulling you in completely.”

“meticulous production ensuring every note hits its mark. The bassline, described by the band as "dirty, dirty bass," is a standout feature, giving the track a raw, almost primal energy that complements its themes of rebellion and power dynamics.”

@york_calling said “Stripped-back verses trade blows with lush choruses before arriving a lingering outro that will stick with you.

“The track gets going with a funky percussive groove before attitude-laden vocals come in. As ever, 9 o’clock Nasty’s irreverent lyrics shine, full of edgy poetry.”

@audiokaradipress said “It is the build-up to which crime is committed, to which resolve is made-the tune that takes other tunes on in a fistfight. Here’s the win, and it's a K.O:”

“King Thing is one of those singles that becomes your swagger sound, with the wah pedal accenting your corduroy jeans swishing in the winter chill.” 

@info_music_fr said “exudes raw energy and rare emotional depth”

“explores complex themes such as toxicity, guilt and rage, mixing incisive lyrics with majestic guitar riffs and an intensely dirty bass.”

@songplodemusic said “The group’s characteristic blend of Alternative Rock, Post-Punk, and Art Rock spills into this track, creating a sonic rollercoaster that’s as precise as a Swiss watch yet packed with gritty undertones.”

“This isn’t just a song—it’s a volley against the perpetual inequities cloaked in the tunes of rap rock gusto and new wave fervor.”

@sinusoidal.music said “establishing a sense of swagger you probably don’t have the fast fashion to carry…. The Beastie Boys energy is laced into the track like a spiked drink”

“put it in a pepper shaker, and give us an even profile of flavour. You know yourself, when have you ever deliberately eaten a whole peppercorn?” 

@lacavernamx said “ombines majestic guitar riffs, intensely dirty bass lines and a rhythm that beats with purpose, showing the creative evolution of the band.”

“the lyrics, enigmatic and provocative, move between references to fallen monarchies and surreal journeys on camels, encapsulating the unique style of the band that mixes humor and criticism.” 

Kid Blast

    

"Be cool, wrong none.”

This is our December 2024 single release, a seance with guitars.

We walk the Earth for but a few years. Judge us by the trail of love or destruction we leave behind.

Be Cool. Wrong None. The rest you can work out for yourself. 

That’s the message of KID BLAST the new single by 9 o’clock Nasty, Leicester’s very own couture arthouse punk masterminds. Deviants with a purpose. Sonic mischief as a weapon of choice.

This is a song with a hook so infectious it will live free in your head for the rest of 2024 and beyond. A song with a message to live by for far longer.

Kid Blast was a real human. He got up like you. He sat on the toilet like you. He had friendships like you. He left a mark on the world, just like you will.  He inspired our song.

Choose the mark you make. Take care with the traces you leave. Then blaze the path you choose. Take your light into the darkness when the story ends. Light the way for the lucky ones that follow.

Available at > YouTube | Amazon Music | Spotify | Apple Music

Much love to the people that have taken time to listen to our stuff and write about it.

@jpgchief said “a powerful anthem of bad-assery. Prepare for, “Kid Blast”, a wonderful and groovy single that will knock your socks off.”

“to be sung, as loud as you can, within the safety of your bedroom.”

@thisaktmusic “Known for their sharp wit, cutting-edge sounds, and ability to fuse anarchic energy with profound themes, the band cements their reputation as a powerhouse in the alt/indie scene.”

“"Kid Blast" is a sonic rollercoaster.”

@tjplnews “Anchored by a raw, driving melody and a hook that lingers long after the last note”

“In true 9 o’clock Nasty style, the track fuses sharp wit with introspection.” 

@roadiemusicmag said “the impulse of punk with an interesting hard rock sensuality”

“having a state of awareness in the face of the choices made, in order to understand that they will transform the lives of many others” 

@rockeramag said “endlessly engaging songwriting, sizzling hot confidence, and flamboyant display of their philosophies in the form of catchy punk earworms."

“‘Kid Blast’ is one more of the band’s deceptively simple releases. On the surface, ‘Kid Blast’ stuns with the directness of its riffs, the simplicity of the beats, and the hooligan quality of its infectious group hollers. But digging a little deeper we will find a song with a beating heart that never stops”

@york_calling said “Straight, swaggering rock and roll”

“It suits the track’s message, especially during a defiant, chanting chorus.”

@sinusoidal.music said “Kid Blast hits you like a shot of adrenaline. It’s a straight-up rock n roll track with no frills, just a tight groove and razor-sharp guitars.”

“The track’s simplicity is its strength. There’s no over-production here, just the raw, unfiltered energy that 9 o’clock Nasty does so well. The hook will get stuck in your head, no question about it.”

@theothersidereviews said “Relentless and rambunctious, 9 o’clock Nasty is the band you don’t take home to your mother.” But Nicole, you promised we could meet her if we behaved….

“Sentimental and sincere, it’s not a ballad to be adored but a cheeky kid with a rapscallion attitude who wants you to consider him a rogue, but he’s too cute for that.”

@pitchperfect158 said “It’s a celebration of attitude, delivered with a smirk and a punch.”

“The band channels the same irreverent spirit that made the Beastie Boys' "Fight for Your Right" a generational touchstone. A ripping guitar solo provides an electric jolt, but it’s the shout-along chorus that cements the track’s staying power.”

@audiokaradipress said “Kid Blast brings the sting of a paper cut and the goodness of a groovy strut all in one swoop”

“There is no waiting, for Kid Blast never waited. Thrown straight into the bubbling potion of energy that the song is, 9 o’clock Nasty are your impromptu rock band that inspired your kid to pick up Smoke on the Water at 9 o’clock in the pm. You can almost hear the whole faction sing the song with passion for the gangster.”

@cheerstothevikings said “I wasn’t prepared for how much this song would stick with me, but here we are.”

““Kid Blast” is raw energy from the first beat. The powerful synergy between guitars, drums and vocals is polished to perfection and the result is an irresistibly catchy tune.”

@allenpetersonreviews said “playful sarcasm and nonstop energy”

“It’s deceptively straightforward—direct riffs, simple beats, and a shout-along chorus that feels like it was made to echo through packed rooms. What makes this song so special is how real and down-to-earth it feels.” 

@lostinthemanor said “9 o’clock Nasty knows how to pack their music with power, wit, and charm”

“artsy, authentic, and audacious sound, blending punk fervor, indie and hard rock energy.”

@lacavernamx said “With its mix of sonic chaos and provocative lyricism, 9 o'clock Nasty redefines modern punk while reminding us that music can also be a tool for introspection.”

“a punk song full of attitude and reflections.” 

Too Cool (The EQ Remix)

   

"He's the low fat Jesus, the Indie King.”

This is our November 2024 single release, a psychotic twisted dance ballad.

In the beginning there was bass. Then some drums came along. It was good.

Do you remember Too Cool? Well, it’s back baby! 

Remixed, re-imagined and rebuilt by Mark Yorath (EQ) working with Phil Haywood and DJ Mastersafe. The three wise humans. Savants of the lowest frequencies, able to function at the dizzy pace of 175 bpm. Wizards from the Drum & Bass world breaking our bones and fusing them into grotesque new shapes.

At first we were afraid. We were petrified Thinking our poor song was broken, cast aside. And after spending nights thinking it would turn out wrong, we grew strong. We heard the bass and knew we’d get along.

Working with cool people, artists with knowledge and ideas we couldn’t even begin to comprehend: that excites us.

Mark Wise took us into a strange heartbeat-driven Techno world. Preyswitch dragged us through the icy sonic waste. Kingflame shone sunlight and joy onto our strange little tune. Now EQ has left us punctured and bruised on the dance floor and the beat rumbles on and on. We twitch. We mewl. We weep with joy.

So, ride the insanity. Roll back the carpet and take off your shoes. Feel the floor as you dance like everybody is watching and you just do not care.

Video created by Mark Yorath.

Available at > YouTube | Amazon Music | Spotify | Apple Music

Much love to the people that have taken time to listen to our stuff and write about it.

@jpgchief said “Fast, exciting, and mind-bending, the three elements used to create such a powerful beat that no-one will ever resist dancing to. It’s chaotic, exhilarating, pitch-bending… awe inducing.”

“Better to get ready now, so grab your dancing shoes and maybe a defibrillator.”

@KIMU said “invites us to feel the beat deep in our bones, to lose ourselves in the madness of the remix while still retaining the message of the original. It’s cerebral, yes, but it’s also a visceral experience that pulls us into its thrall.”

“Mark Yorath’s vision for the track takes us on a journey, balancing a subtle blend of chaos and order, like a dance between the brain and body, pulling us into its rhythms while our mind tries to catch up. The result is a sonic landscape that feels both alien and welcoming, frenetic but strangely cohesive.”

@edgarallanpoets said “the remix morphs and twists into an addictive blend of chaotic yet controlled energy thanks to creative mind of Mark Yorath (EQ)

“Masters of collaboration, finding the right partners to transform their sound yet keep the core intact.”

@fvmusicblog said “It is a must-hear release complete with charismatic performances, exciting beats and textured production”

“a single that shows a fresh side to 9 o’clock Nasty and we can not wait to hear more!”

@york_calling said “The beats hit hard during an old school intro before the familiar 9 o’clock Nasty storytelling comes in.”

 “It’s a track that’s impossible to not bounce along to. Just remember to get your glow sticks out.” 

@musicforallmag said “grows in euphoria, synthesizing and refining the lines of mental control”

“Reimagined and reshaped by Mark Yorath (@EQmixes) in collaboration with Phil Haywood and DJ Mastersafe, 9 o'clock Nasty, the sound settles into a breakneck 175 bpm tempo that expands our rhythmic understanding of musical color and perception.” 

@roadiemusicmag said “Bubbles and disconnected voices follow the path of freedom towards the relaxed and uncompromised”

“Too Cool, a cover embedded in a massive drum n' bass structure of an extremely danceable character.”

@musicaenpalabras_ said “EQ's work is outstanding, taking the subject to a higher level and offering something much more experimental without losing the essence.”

“It is a mix that reflects the spirit of the band: daring, bold, but always aware of their own identity.”

@sinusoidal.music said “Gone is the catchy rock vibe of the original, this new version dives headfirst into techno and drum & bass territory”

“The sharp production amplifies the track’s energy, and those layered beats, wow, they hit and push you into the dance floor.” 

@rockeramag said “this remix for ‘Too Cool’ is not only sonically fitting, it is also fun, engaging, and full to the brim with exciting idea”

“The EQ remix for ‘Too Cool’ is something extraordinarily different from the real thing, yet it is equally gripping and entertaining. A terrifically well-made remix. “

@extravafrench said “Where the original Too Cool already shone, Mark Yorath plunged it into a technoid bath, reshaping it into a raw and pulsating version. “

“this EQ version redefines the very essence of the title. Every note, every drop, every calculated silence makes your whole being vibrate.”

@senocular_media said “Pitched-up vocals from the original track infuse the remix with a punky angst that supercharges the song.”

“an intoxicating EDM banger and the perfect addition to any electronic playlist.”

@littlechiefmusic said “an auditory delight, this remix takes the original track to wild new heights, blending throbbing basslines and pulse-racing beats that’ll leave you mesmerized”

“Whether you are dancing alone or leading the crowd, this song is all about raw and unadulterated fun.” 

@indieoclock said “psychedelic traits in the transitions and the excitement that makes us get in the mood and then the track runs in our veins and electrifies us.”

“Music breaks barriers, bringing punk rock to this more electronic style.” 

@thisisapolloharp said “chaotic funk style, brimming with unconventional glamor, new ideas,”

“Industrial stylings like aggressive avant garde fusions, electronic noise samples, and distorted background vocals. That quality of shock that is usually associated with the genre, is nicely meshed in with the rest of the bizzare-aligned elements”

@lacavernamx said “a visceral experience for the dance floor. From oscillating synthesizers to hypnotic rhythmic progressions”

"plays with contrasts that range from the intensity of the bass to a unique sound design.” 

Bad Vegan

  

"Hospital food. Greased with lube.”

This is our October 2024 single release, a small slice of what you need.

The truth. Once you have kissed real meat, the flavour lingers longer than you could possibly imagine. A rich, evocative taste. Death, fear and muscular flesh. Only the strongest can resist. In the end we must all become the BAD VEGAN. 

We threw away the rulebook when we wrote this song. We let the pulse run through us. We screamed and we laughed and we laughed. The speakers would not go any louder, and we asked them, begged them. We screamed and we prayed for more volume.

Then we went back and got the rulebook from the trash, because rules add Craft to Art. They sharpen excess. So here is a song for you that is way too big for its stunted angry 1 minute 35 sonic assault. 

Nobody plays anything at maximum volume anymore. Do it. Break the rules.

Grow me in your lab. Make me pure.

Available at > YouTube | Amazon Music | Spotify | Apple Music

Much love to the people that have taken time to listen to our stuff and write about it.

@jpgchief said “THIS ELECTRIFYING TWO-MINUTE RUSH OF BOLD CYNICISM AND SOARING HIGH-GAIN GUITARS IS A MUST-HEAR.”

““Bad Vegan” is a bold declaration that craves authentic meat. A powerful fusion of explosive drums and punk-infused riffs. It is a revelation of chaos and anger, colliding with sonic overdrive.”

@groover_city said “We’ve looped the track relentlessly, seduced as much by its audacious brevity, which delivered multiple eargasms in record time, as by our speakers, which practically grovelled for an encore.”

“this 1 minute and 35 seconds of pure, unfiltered adrenaline proves that brevity truly is the soul of wit and wild abandon”

@rockeramag said “A short, fast-paced, and electrifying piece of garage rock with an infectious groove and an unforgettable melody... a ton of fun”

“From its diminutive runtime to its breakneck pacing and its skeletal and defined arrangement, ‘Bad Vegan’ is a short journey through everything that makes garage rock endure the waves of time.”

@edgarallanpoets said “the song’s brief runtime is deceptive, by the time it ends you feel like you’ve experienced something far more immersive”

“A quick hit of energetic, psychedelic madness”

@thepolyphonicpressco said “They write riffs that are stickier than maple sap, quicker than a racoon whose beaver is on fire.”

”Bad Vegan is another anthem, with the band leaning into their acerbic wit and satire, while packing the dynamite energy they have so often teased us with.”

@york_calling “Bad Vegan is a cacophonous 95-second punk track with plenty of surrealness in its lyrics.”

“Growling vocals share the platform with singalong harmonies in a number with plenty of textures.” 

@theothersidereviews said “‘Bad Vegan’ is a kick-ass tune to be played at full volume letting the demons rest before crashing back into our souls”

“raucous, unruly, inexplicably uncouth rush of seething turmoil waging a war inside your head.” 

@musicforallmag “Without an explosion, but with a harmonic touch”

“mockery and cynicism in a slightly violent degree that addresses, with a certain touch of humor, the disparity between vegans and carnivores.” 

@sinusoidal.music said “Headbanging is absolutely inevitable as distortion-laden guitars create intense textures. When the 1:35 mark arrives, the urge to hit replay becomes overwhelming—such is the addictive magnetism of their sonic overload.”

“Anthemic howls rail against a plant-based world from a place of carnivorous instinct. “Bad Vegan” by 9 o’clock Nasty bears the band’s anger and restlessness. Punk fans will find much to love in this balls-to-the-wall explosion of relentless drums, visceral vocals, and scorching guitars. It’s the epitome of cathartic musical mayhem.”

@extravafrench said “The title exudes revolt, satire, and a savage criticism of a world where even acts of distrust, such as throwing a brick at a politician, are perverted by animal exploitation.”

“The lyrics are not just a nod to veganism – it's an existentialist dissection. The line "They put blood in the bricks" is not there to make you think about veganism; it is there to make you realize that, in this world, corruption and brutality are omnipresent, down to the smallest details.”

 @musechronicle.music said “Sonically, the song goes hard af. From the start, the distorted guitar sounds and the heavy drums will get your vibing”

“…harming our fellow human beings with our act of just existing.”

@indiespirits.blog said “the track grabs listeners by the throat with raw, unapologetic intensity.”

“ The chaotic soundscape, built on driving guitar riffs and snarling vocals, reflects the band’s desire to push limits both musically and thematically.”

@lostinthemanor “As tight as tight can get is the feeling you get when listening to this fast-paced, mini-explosion of a song.”

“9 o’clock Nasty creates a chaotic soundscape and arranges it to create pure fun in a 1:35-minute song. The melodic chaos is almost like an anthem with the layers of vocals.” 

@thisisapolloharp said “Uniting anthemic elements with denial, delusion, and defiance, they have that rebel energy that goes back to the OG rock legends”

“Designed with that retro, 80s ethos, especially in its rhythm, the track swings with a style that you want to get more and more of. The band has always had an announced charisma that stays active and dynamic throughout their compositions. But in this one, the rock n roll adds a riz that can go on for days.”

@lacavernamx “an almost cathartic intensity with provocative lyrics that reflect the dilemma between purity and decadence.”

“The song evokes the complexity of desire and the internal struggle, where the taste of real meat becomes a metaphor for longing.” 

The Wrong Guy

 

"The Question? Bloodflow.”

This is our September 2024 single release, hot on the heels of the rather marvellous Kingflame remix.

For when mistaken identity breaks the walls of your life. THE WRONG GUY. We’re all just an innocent face and a minor misunderstanding away from communal showers and hard toilet paper.

We make Art. With a capital letter. But sometimes we have to swerve too close to reality to say what we need to say, and that day under the beating San Diego sunshine, security got the wrong guy and lofted them to the wind. They were innocent until the moment they hit the pavement.

We loved remixing this song with Kingflame, but now we’re back to basics baby. This is the unadulterated, pure product.

One day THE WRONG GUY will be free. They will feel the breeze on their face and drink raw tequila in the shade of heavy construction equipment. We hope they enjoy the song we made for them. It was, after all, just a misunderstanding.

Available at > YouTube | Amazon Music | Spotify | Apple Music

Much love to the people that have taken time to listen to our stuff and write about it.

@rockeramag said “the subsequent chaos that results. Simple but powerful”

“reminds one of early The Clash compositions. Especially in the grim undertones that dominate the song, there is also a subdued allusion to the post-punk sounds of Joy Division.”

@jpgchief said “this may well be their finest creation yet.”

“pristine production, along with vocals and lyrics that are pure fire.” 

@musicearshot “a tale filled with disorder, comedy, and incisive societal critiques.”

“pushing limits by blending punk, rock, and funk to produce a sound that is both reminiscent of the past and innovatively current”

@york_calling “The “de-mixed” version gives us a stripped-back intro before big bass and keys hit.”

“proving once again that the idea of genre can’t keep their Leicester-based innovators confined.”

@fvmusicblog “addictive”

“Fuelled by driving beats, charismatic performances and thought-provoking lyrics”

@iggymagazine “imposes itself with its effervescent rhythm and technical flow.”

“impactful verses that mix vocal power and irresistible groove.”

@mangowave said "Somewhere between the energy of The Gastronaut and the erotics of Mickey Humpper, the nasty trio from Leicester has created another banger. 9 o’clock nasty may predominantly be famous for their Garage Rock, Post Punk and New Indie music, but this is some serious 80s style Rap sound."

@musicforallmag said “Many will remember Beastie Boys and Cypress Hill, but 9 o'clock Nasty stands out for its strong identity, so points for them, who still deliver a well-thought-out clip, simple in its take, but intelligent in the improvisations”

“considerable work, and always with a bittersweet tone, encompassing various styles. They come from the English city of Leicester, the largest in the East Midlands region, which has a total of around 330 thousand inhabitants”

@musicaenpalabras_ said “a mixture of irony and social criticism that, with its distinctive style, manages to capture the listener from the first second.”

“the rhythms are agile and the guitars set a vibrant tone, with a groove that slides through the song” 

@thisisapolloharp said “there’s that ever present deviance and depravity that the band is known for. Only it pops up in the most unexpected way.”

“funk whimsy takes on new levels of creativity in latest track, ‘The Wrong Guy’. A dynamic drive that sports catchy verse loops and vocal charisma.“ 

@sinusoidal.music said “This is your pub icebreaker, your bill inflator, and all you need for the greatest evening”

“the thumping beat your floorboards want to absorb. A soft piano melody runs in the background, your backyard stomp for the Beastie Boys like delivery they’re going to give. It’s fitting that all 3 of them are involved, adding to the chaotic chorus that would be your running anthem. Percussion is king for this song, and you’re in for a hip-hop treat that takes you the distance.” 

@lacavernamx said “enjoy two and a half minutes of pure energy. 9 o'clock Nasty manages to capture the essence of confusion and chaos with its characteristic irreverent touch.”

“we are all a misunderstanding away from ending up in unexpected situations. With a raw and direct sound, the band returns to its roots” 

@indieoclock said “a delicious mix of punk, hip-hop and alternative pop, a song that adds styles and shows that the group knows how to create good songs in any musical genre”

“Another authentic song, full of attitude and incredible, of the one that for us is one of the best bands in the world of contemporary alternative rock, and what a great hit this delicious Punk rap.”

 @musicistoblame said “electrifying punk rock trio that defies genre boundaries”

“skilfully fusing punk and hip-hop, the band shows us how two contrasting genres can come together, push boundaries and create a unique, electrifying listening experience.”

@allenpetersonreviews said “Known for their blend of punk, funk, and sarcasm, the trio steps into new territory with a head-bopping hip-hop beat that still carries their signature cheeky edge.”

““The Wrong Guy” suggests that there is strength in letting go, embracing the unpredictability, and finding a way to move forward.” 

The Wrong Guy - Kingflame Sound System Remix

     

"Open the windows. Turn the dial”

This is the second release of our occasional series of Retreads - remixes of our songs by people we love. This is our first collaboration with the Kingflame Sound System.

Heavy dub beats smash at the doors of life. There are cracks in the world but there is no escape. 

Some cuts run deep. We always knew it would come to this. 

Inevitably the bassmasters, Kingflame, reached out, and when they ask, you do not step back. You lean in. You push out your chest and you accept your fate. They are human, but they do not operate at the same frequency as you, Kenneth.

So it was, Kingflame came for our newborn child, "The Wrong Guy" and took it away into the night. Seven days later they returned. With this creature. Writhing bass, slip-hit beats. Melody distilled from the walls. Walls that have heard so, so much.

So, here is. Yes, of course, the rational thing to do would be to release the original version of The Wrong Guy before the remix, but we do not live in rational times. We live where reality bends to the desires of the human mind. So here is the pre-mix. See what we did there? Pay attention, the original arrives in September.

Open the windows and turn up the dial. Let the pure joy of this song out into the summer air.

Available at > YouTube | Amazon Music | Spotify | Apple Music

Much love to the people that have taken time to listen to our stuff and write about it.

@jpgchief said “Remixed by the Kingflame Sound System, this single is nothing short of epic, matching the grandeur of its creators. It features a heavy dub beat that plunges the listener into a state of profound contemplation…”

“9 o’clock Nasty is making a bold comeback with a daring move that seems fitting for the current times. Releasing the remix before the original version may appear unconventional, but as the Nasty say, we do not live in rational times.”

@rockeramag said “The band’s latest pre-mix instantly captivates you with its slip-hit beats, a jiggly bass, and an interesting atmosphere to which you cannot help but vibe to. You can right on spot and feel the post punk cool and chill kind of delivery paired up with this dark and detached vibe; yet, you are still interested and enjoying this hip and subtle cool feel.”

“One of the most interesting elements in this pre-mix is the use of guitar. We subtly get a reggae kind of feeling thanks to those rhythmic reggae snippets.”

@edgarallanpoets said “Kingflame’s production adds layers of complexity to the original track, creating rich texture that is chaotic and controlled”

“It’s clear from the start that this remix is something special. The beat is infectious, pulsing with a hypnotic rhythm that draws you in and doesn’t let go.”

@fvmusicblog said “Fuelled by a driving beat, charismatic vocal performances and addictive melodies”

“standout Leicester-based band”

@york_calling said “no-one has ever accused 9 o’clock Nasty of being conventional.”

“The result is a dub wonderland, and a complete departure from the raw indie rock we’re used to hearing from them.” 

@groove_africa said “The reggae essence, subtly woven into the fabric of the track, adds a bouncy, infectious rhythm that carries the song effortlessly from start to finish.”

“While Kingflame’s signature sound is evident throughout, 9 O’clock Nasty’s unique identity remains at the forefront. The result is a groundbreaking sound that defies genre conventions and creates something wholly original and memorable.”

@iggymagazine said “an intriguing mix of post-punk with a unique touch. The remix captures the essence of the original song while introducing new layers and textures that deepen its atmosphere”

“a song that not only respects its post-punk roots but also pushes the limits of the genre by experimenting with multigenre influences. The result is a nostalgic and modern remix”

@artistionline_playlist said “Kingflame Sound System … give an even more epic touch to the song that features a heavy dub rhythm

“a reggae melody that takes the listener into a surreal and imaginative dimension”

@musikepool said “s a fresh, electrifying twist on the original track that will have fans of drum and bass on the edge of their seats”

“Kingflame has …twisted it into something darker and more compelling. The melody now feels like it’s been distilled from the very walls of an underground rave—raw and saturated with emotion.”

@musicforallmag said “"The Wrong Guy" (Kingflame Sound System Remix) is well worth checking out, especially for lovers of good music who like to step out of their comfort zone. This is because the music has an experimental content and that works.”

“Because the end result is simpler than you might imagine. With a concise beat, the song has a rhythm and just the right amount of vibration.”

@thisisapolloharp said “9 ‘o’clock Nasty to have progressive ideas that are equal parts playful and chaotic. They might not be known for their subtlety but they are quite masterful when it comes to sound design.”

“The boldness and the emphasis on big sonic gestures and grand detailing stands at the helm of their charm."

@headbangersnews_br said “exuding a sincere freshness” (we do enjoy a good exude)

“Art that goes beyond music”