Bad Vegan

  

"Hospital food. Greased with lube.”

This is our October 2024 single release, a small slice of what you need.

The truth. Once you have kissed real meat, the flavour lingers longer than you could possibly imagine. A rich, evocative taste. Death, fear and muscular flesh. Only the strongest can resist. In the end we must all become the BAD VEGAN. 

We threw away the rulebook when we wrote this song. We let the pulse run through us. We screamed and we laughed and we laughed. The speakers would not go any louder, and we asked them, begged them. We screamed and we prayed for more volume.

Then we went back and got the rulebook from the trash, because rules add Craft to Art. They sharpen excess. So here is a song for you that is way too big for its stunted angry 1 minute 35 sonic assault. 

Nobody plays anything at maximum volume anymore. Do it. Break the rules.

Grow me in your lab. Make me pure.

Available at > YouTube | Amazon Music | Spotify | Apple Music

Much love to the people that have taken time to listen to our stuff and write about it.

@jpgchief said “THIS ELECTRIFYING TWO-MINUTE RUSH OF BOLD CYNICISM AND SOARING HIGH-GAIN GUITARS IS A MUST-HEAR.”

““Bad Vegan” is a bold declaration that craves authentic meat. A powerful fusion of explosive drums and punk-infused riffs. It is a revelation of chaos and anger, colliding with sonic overdrive.”

@groover_city said “We’ve looped the track relentlessly, seduced as much by its audacious brevity, which delivered multiple eargasms in record time, as by our speakers, which practically grovelled for an encore.”

“this 1 minute and 35 seconds of pure, unfiltered adrenaline proves that brevity truly is the soul of wit and wild abandon”

@rockeramag said “A short, fast-paced, and electrifying piece of garage rock with an infectious groove and an unforgettable melody... a ton of fun”

“From its diminutive runtime to its breakneck pacing and its skeletal and defined arrangement, ‘Bad Vegan’ is a short journey through everything that makes garage rock endure the waves of time.”

@edgarallanpoets said “the song’s brief runtime is deceptive, by the time it ends you feel like you’ve experienced something far more immersive”

“A quick hit of energetic, psychedelic madness”

@thepolyphonicpressco said “They write riffs that are stickier than maple sap, quicker than a racoon whose beaver is on fire.”

”Bad Vegan is another anthem, with the band leaning into their acerbic wit and satire, while packing the dynamite energy they have so often teased us with.”

@york_calling “Bad Vegan is a cacophonous 95-second punk track with plenty of surrealness in its lyrics.”

“Growling vocals share the platform with singalong harmonies in a number with plenty of textures.” 

@theothersidereviews said “‘Bad Vegan’ is a kick-ass tune to be played at full volume letting the demons rest before crashing back into our souls”

“raucous, unruly, inexplicably uncouth rush of seething turmoil waging a war inside your head.” 

@musicforallmag “Without an explosion, but with a harmonic touch”

“mockery and cynicism in a slightly violent degree that addresses, with a certain touch of humor, the disparity between vegans and carnivores.” 

@sinusoidal.music said “Headbanging is absolutely inevitable as distortion-laden guitars create intense textures. When the 1:35 mark arrives, the urge to hit replay becomes overwhelming—such is the addictive magnetism of their sonic overload.”

“Anthemic howls rail against a plant-based world from a place of carnivorous instinct. “Bad Vegan” by 9 o’clock Nasty bears the band’s anger and restlessness. Punk fans will find much to love in this balls-to-the-wall explosion of relentless drums, visceral vocals, and scorching guitars. It’s the epitome of cathartic musical mayhem.”

@extravafrench said “The title exudes revolt, satire, and a savage criticism of a world where even acts of distrust, such as throwing a brick at a politician, are perverted by animal exploitation.”

“The lyrics are not just a nod to veganism – it's an existentialist dissection. The line "They put blood in the bricks" is not there to make you think about veganism; it is there to make you realize that, in this world, corruption and brutality are omnipresent, down to the smallest details.”

 @musechronicle.music said “Sonically, the song goes hard af. From the start, the distorted guitar sounds and the heavy drums will get your vibing”

“…harming our fellow human beings with our act of just existing.”

@indiespirits.blog said “the track grabs listeners by the throat with raw, unapologetic intensity.”

“ The chaotic soundscape, built on driving guitar riffs and snarling vocals, reflects the band’s desire to push limits both musically and thematically.”

@lostinthemanor “As tight as tight can get is the feeling you get when listening to this fast-paced, mini-explosion of a song.”

“9 o’clock Nasty creates a chaotic soundscape and arranges it to create pure fun in a 1:35-minute song. The melodic chaos is almost like an anthem with the layers of vocals.” 

The Wrong Guy

 

"The Question? Bloodflow.”

This is our September 2024 single release, hot on the heels of the rather marvellous Kingflame remix.

For when mistaken identity breaks the walls of your life. THE WRONG GUY. We’re all just an innocent face and a minor misunderstanding away from communal showers and hard toilet paper.

We make Art. With a capital letter. But sometimes we have to swerve too close to reality to say what we need to say, and that day under the beating San Diego sunshine, security got the wrong guy and lofted them to the wind. They were innocent until the moment they hit the pavement.

We loved remixing this song with Kingflame, but now we’re back to basics baby. This is the unadulterated, pure product.

One day THE WRONG GUY will be free. They will feel the breeze on their face and drink raw tequila in the shade of heavy construction equipment. We hope they enjoy the song we made for them. It was, after all, just a misunderstanding.

Available at > YouTube | Amazon Music | Spotify | Apple Music

Much love to the people that have taken time to listen to our stuff and write about it.

@rockeramag said “the subsequent chaos that results. Simple but powerful”

“reminds one of early The Clash compositions. Especially in the grim undertones that dominate the song, there is also a subdued allusion to the post-punk sounds of Joy Division.”

@jpgchief said “this may well be their finest creation yet.”

“pristine production, along with vocals and lyrics that are pure fire.” 

@musicearshot “a tale filled with disorder, comedy, and incisive societal critiques.”

“pushing limits by blending punk, rock, and funk to produce a sound that is both reminiscent of the past and innovatively current”

@york_calling “The “de-mixed” version gives us a stripped-back intro before big bass and keys hit.”

“proving once again that the idea of genre can’t keep their Leicester-based innovators confined.”

@fvmusicblog “addictive”

“Fuelled by driving beats, charismatic performances and thought-provoking lyrics”

@iggymagazine “imposes itself with its effervescent rhythm and technical flow.”

“impactful verses that mix vocal power and irresistible groove.”

@mangowave said "Somewhere between the energy of The Gastronaut and the erotics of Mickey Humpper, the nasty trio from Leicester has created another banger. 9 o’clock nasty may predominantly be famous for their Garage Rock, Post Punk and New Indie music, but this is some serious 80s style Rap sound."

@musicforallmag said “Many will remember Beastie Boys and Cypress Hill, but 9 o'clock Nasty stands out for its strong identity, so points for them, who still deliver a well-thought-out clip, simple in its take, but intelligent in the improvisations”

“considerable work, and always with a bittersweet tone, encompassing various styles. They come from the English city of Leicester, the largest in the East Midlands region, which has a total of around 330 thousand inhabitants”

@musicaenpalabras_ said “a mixture of irony and social criticism that, with its distinctive style, manages to capture the listener from the first second.”

“the rhythms are agile and the guitars set a vibrant tone, with a groove that slides through the song” 

@thisisapolloharp said “there’s that ever present deviance and depravity that the band is known for. Only it pops up in the most unexpected way.”

“funk whimsy takes on new levels of creativity in latest track, ‘The Wrong Guy’. A dynamic drive that sports catchy verse loops and vocal charisma.“ 

@sinusoidal.music said “This is your pub icebreaker, your bill inflator, and all you need for the greatest evening”

“the thumping beat your floorboards want to absorb. A soft piano melody runs in the background, your backyard stomp for the Beastie Boys like delivery they’re going to give. It’s fitting that all 3 of them are involved, adding to the chaotic chorus that would be your running anthem. Percussion is king for this song, and you’re in for a hip-hop treat that takes you the distance.” 

@lacavernamx said “enjoy two and a half minutes of pure energy. 9 o'clock Nasty manages to capture the essence of confusion and chaos with its characteristic irreverent touch.”

“we are all a misunderstanding away from ending up in unexpected situations. With a raw and direct sound, the band returns to its roots” 

@indieoclock said “a delicious mix of punk, hip-hop and alternative pop, a song that adds styles and shows that the group knows how to create good songs in any musical genre”

“Another authentic song, full of attitude and incredible, of the one that for us is one of the best bands in the world of contemporary alternative rock, and what a great hit this delicious Punk rap.”

 @musicistoblame said “electrifying punk rock trio that defies genre boundaries”

“skilfully fusing punk and hip-hop, the band shows us how two contrasting genres can come together, push boundaries and create a unique, electrifying listening experience.”

@allenpetersonreviews said “Known for their blend of punk, funk, and sarcasm, the trio steps into new territory with a head-bopping hip-hop beat that still carries their signature cheeky edge.”

““The Wrong Guy” suggests that there is strength in letting go, embracing the unpredictability, and finding a way to move forward.” 

The Wrong Guy - Kingflame Sound System Remix

     

"Open the windows. Turn the dial”

This is the second release of our occasional series of Retreads - remixes of our songs by people we love. This is our first collaboration with the Kingflame Sound System.

Heavy dub beats smash at the doors of life. There are cracks in the world but there is no escape. 

Some cuts run deep. We always knew it would come to this. 

Inevitably the bassmasters, Kingflame, reached out, and when they ask, you do not step back. You lean in. You push out your chest and you accept your fate. They are human, but they do not operate at the same frequency as you, Kenneth.

So it was, Kingflame came for our newborn child, "The Wrong Guy" and took it away into the night. Seven days later they returned. With this creature. Writhing bass, slip-hit beats. Melody distilled from the walls. Walls that have heard so, so much.

So, here is. Yes, of course, the rational thing to do would be to release the original version of The Wrong Guy before the remix, but we do not live in rational times. We live where reality bends to the desires of the human mind. So here is the pre-mix. See what we did there? Pay attention, the original arrives in September.

Open the windows and turn up the dial. Let the pure joy of this song out into the summer air.

Available at > YouTube | Amazon Music | Spotify | Apple Music

Much love to the people that have taken time to listen to our stuff and write about it.

@jpgchief said “Remixed by the Kingflame Sound System, this single is nothing short of epic, matching the grandeur of its creators. It features a heavy dub beat that plunges the listener into a state of profound contemplation…”

“9 o’clock Nasty is making a bold comeback with a daring move that seems fitting for the current times. Releasing the remix before the original version may appear unconventional, but as the Nasty say, we do not live in rational times.”

@rockeramag said “The band’s latest pre-mix instantly captivates you with its slip-hit beats, a jiggly bass, and an interesting atmosphere to which you cannot help but vibe to. You can right on spot and feel the post punk cool and chill kind of delivery paired up with this dark and detached vibe; yet, you are still interested and enjoying this hip and subtle cool feel.”

“One of the most interesting elements in this pre-mix is the use of guitar. We subtly get a reggae kind of feeling thanks to those rhythmic reggae snippets.”

@edgarallanpoets said “Kingflame’s production adds layers of complexity to the original track, creating rich texture that is chaotic and controlled”

“It’s clear from the start that this remix is something special. The beat is infectious, pulsing with a hypnotic rhythm that draws you in and doesn’t let go.”

@fvmusicblog said “Fuelled by a driving beat, charismatic vocal performances and addictive melodies”

“standout Leicester-based band”

@york_calling said “no-one has ever accused 9 o’clock Nasty of being conventional.”

“The result is a dub wonderland, and a complete departure from the raw indie rock we’re used to hearing from them.” 

@groove_africa said “The reggae essence, subtly woven into the fabric of the track, adds a bouncy, infectious rhythm that carries the song effortlessly from start to finish.”

“While Kingflame’s signature sound is evident throughout, 9 O’clock Nasty’s unique identity remains at the forefront. The result is a groundbreaking sound that defies genre conventions and creates something wholly original and memorable.”

@iggymagazine said “an intriguing mix of post-punk with a unique touch. The remix captures the essence of the original song while introducing new layers and textures that deepen its atmosphere”

“a song that not only respects its post-punk roots but also pushes the limits of the genre by experimenting with multigenre influences. The result is a nostalgic and modern remix”

@artistionline_playlist said “Kingflame Sound System … give an even more epic touch to the song that features a heavy dub rhythm

“a reggae melody that takes the listener into a surreal and imaginative dimension”

@musikepool said “s a fresh, electrifying twist on the original track that will have fans of drum and bass on the edge of their seats”

“Kingflame has …twisted it into something darker and more compelling. The melody now feels like it’s been distilled from the very walls of an underground rave—raw and saturated with emotion.”

@musicforallmag said “"The Wrong Guy" (Kingflame Sound System Remix) is well worth checking out, especially for lovers of good music who like to step out of their comfort zone. This is because the music has an experimental content and that works.”

“Because the end result is simpler than you might imagine. With a concise beat, the song has a rhythm and just the right amount of vibration.”

@thisisapolloharp said “9 ‘o’clock Nasty to have progressive ideas that are equal parts playful and chaotic. They might not be known for their subtlety but they are quite masterful when it comes to sound design.”

“The boldness and the emphasis on big sonic gestures and grand detailing stands at the helm of their charm."

@headbangersnews_br said “exuding a sincere freshness” (we do enjoy a good exude)

“Art that goes beyond music” 

Retreads 1, the Preyswitch Remixes

    

"Enjoy, but never forgive.”

Shave away the layers. Refine. Distill. Once more a demonic taint of magic has slithered over the Atlantic and painted 9 o’clock Nasty with snakeskin glitter.

This thing we do, it’s a journey. From time to time we meet kindred spirits from around the globe. Preyswitch is a musician and producer with pedigree. A wild wizard with a thick cuban cigar permanently fixed in his right fist. Based in a place so hostile that for six months of nightless day insects as large as cats constantly slam against the window. A place where for six months of dayless night bears dressed in tight lycra and leather caps rummage through bins and scream for vengeance at an unkind moon. 

Reclusive, mysterious and prone to rage against almost anything, Preyswitch heard something in our songs that made him want to…. utterly destroy and rebuild them. 

So, of course we worked with him. RETREADS 1 takes three of our recent singles and twists them into new shapes and patterns. It’s for a dance floor but not the one you’re thinking of. A dance floor where limbs throw shapes that make your guts ache and your feet sweat. A dance floor on the edge of reality, where wilderness meets the hard vacuum of space. This is the serious stuff. For the pro-consumer.

“Another mad Canadian bastard destroyed our songs. Find him. Prosecute him with all the legal powers at our disposal.” (Ted Pepper, 9 o’clock Nasty)

“Revenge will be sweet. We shall dine on pancakes and tinned vegan ham as we groove to this brutally corrupt masterpiece.” (Pete Brock, 9 o’clock Nasty)

The Ancient Egyptians, well, the minute they had the remix done they would have bricked the bastard into the studio. Dung and hay brick after dung and hay brick, as the sick mind that produced the remix screamed for release. Offered to make just one more edit. Those were the days. That is why you never hear of an Ancient Stock Aitken and Waterhose, remixing the Pharoah's favourite Nileside Tunes.

But we live in modern times, so credit where credit is due, but not forgiveness. Oh no.

Available at > YouTube | Amazon Music | Spotify | Apple Music

Ho Disco Shit is the June 2024 single by 9 o'clock Nasty 

Much love to the people that have taken time to listen to our stuff and write about it.

@jpgchief said ““God has truly abandoned us, but it’s all good. Play it loud.. Dance music for us tarnished & wretched ones, immoral & meek… Ariana Grande fans might enjoy it as well.”

”A new Nasty EP, the same chaotically mad energy. Alas, “Retreads 1” hints by its name that it won’t be the only remixes release, so help us God. The man behind such a foul action? A Canadian”

@fvmusicblog said “Fuelled by exciting beats, exquisite songwriting and inviting production”

“9 O’CLOCK NASTY are on the rise.” 

@york_calling said “Of course, with it being 9 o’clock Nasty, it’s not the typical disco in which we find ourselves.”

“9 o’clock Nasty are proving themselves the masters of the collab. There’s an exciting underground network of international artists around them making some amazing music…… This EP might be the best of the bunch.” 

@edgarallanpoets said “heavy beats creating an atmosphere of tension and intrigue.”

“Imagine a Minotaur with the head of The Prodigy and the Body of Fatboy Slim” 

@musikepool said “a must-listen for anyone seeking music that defies convention."

“The remix transforms the track into a high-octane blend of distorted guitars and pulsating electronic beats. The raw edge of the original is maintained, but Preyswitch adds layers of complexity and depth, creating a track that is both familiar and new” 

@sinusoidal.music said “Preyswitch creates total sonic mayhem here, balancing darkness and movement in perfect disorder.

“9 o’clock Nasty showcases a new level of experimental energy.  Loud volumes are highly recommended to fully experience the dazzling swirl of emotions within each remix. So, turn it up loud for the full immersive, chaotic experience.” 

@korliblog said “bold and unapologetic”

“dark, hypnotic, and utterly danceable masterpieces. @Preyswitch production wizardry conjures up a world where wilderness and space collide, creating a song that’s both eerie and enjoyable” 

@musicaenpalabras_said “It's not just music to dance; it's music to experiment and reflect.”

“Each song is a raw and visceral story, full of vivid images and intense emotions.“ 

@lostinthemanor said “the guitar work and the mixing take this track to a whole another level altogether.“

“a gritty textured, synth-heavy approach to hard rock that’s accentuated by clean vocals with gruff vocal harmonies, making for a rather interesting take” 

@littlechiefmusicsaid “The collaboration with Preyswitch brings a fresh, raw energy to their music… We love the bold creativity of this EP”

“Each song is a journey through new sonic territories, showcasing the band’s willingness to experiment and evolve.” 

@thisisapolloharp said “collaborates with producer Preyswitch to cast these narratives in new perspectives and interpretations. In a way that not only retains the essence of them but elevates it”

“If you enjoy unique and creative soundscapes that challenge, inspire, and entertain the mind, this three-track collection is for you.” 

Hot Disco Shit

   

"Party. With the people you trust.”

Pull on the skin tight fabric. Punch through the veil and break through to the other side. 

It is not enough to be Lost in Music. You must surrender utterly. Ring my bell, get on my funky train, feel my love, but only ever party with the people you trust. Make HOT DISCO SHIT the soundtrack to the joy and the fear and the pain and the love.

When the world is falling apart, it’s time to go retro. What could be a safer place to hide than disco? Feel the gut wrenching fear of AIDS and the twisted sexual need all twisted together and grinding deeper into the floor with every kick of that drum.

Look your best. Dress like it’s your last night on earth. Move to the groove and raise your hands. Weep to the beat. Weep to the beat.

HOT DISCO SHIT is a song about nights lost at the gates of heaven. Fun and laughter stopped by the doorman’s stern rebuke. A song about footwear being judged. About sex and death becoming too close for comfort. 

“Disco is the purest musical form. Crystalline and fragile, yet hard as steel. This song left us bruised and broken.” (Ted Pepper, 9 o’clock Nasty)

“We’d like to dedicate this song to the security staff at Vice Versa nightclub in Loughborough, UK. Stopping me from going in on that doomed, sweaty, terrible night, saved my life.” (Pete Brock, 9 o’clock Nasty)

Available at > YouTube | Amazon Music | Spotify | Apple Music

Ho Disco Shit is the June 2024 single by 9 o'clock Nasty 

Much love to the people that have taken time to listen to our stuff and write about it.

@jpgchief said “…something that feels different, interesting and eyebrow-raising. An act like 9 O’Clock Nasty is always willing to change the game, make up their own rules and break them all at the same time – and on “Hot Disco Shit” that is exactly what they do.”

“…decided to let the groove and funk-inspired production to take the lead and that was the smartest of choices. “Hot Disco Shit” sounds like nothing that ever came from them before, and it’s refreshing to listen to this side of such an unpredictable band. By going full 70s retro, they actually took a step forward into their own universe and revel in the fun of it.”

@rockeramag said “the British group managed to create a super catchy melodic and rhythmic environment where they shine brightly and uniquely.”

“Unlike other songs where the chorus is the most memorable section, “Hot Disco Shit” manages to be catchy across the board…the verses, the chorus, even the instrumental intro sucks you in and holds you tight. The bassline here guys…what a groove…”

@musicearshot said “Hot Disco Shit is more than a song; it's an experience. It advocates complete surrender, encouraging fans to ring the bell, board the funky train, and feel the love

“This music is intended to serve as a soundtrack for excitement, terror, anguish, and love—intensified when the world appears to be falling apart.” 

@york_calling said “an ode to discos of yesteryear with the unmistakable 9 o’clock Nasty edge.”

“A funky guitar riff opens things up before groovy drums come in and acerbic vocals tell a tale of dancefloor judgment.” 

Nicole at @theothersidereviews said “The simple line, “party with people you trust”, isn’t just a hint to having an awesome time with mates; it’s a warning” & she’s not wrong.

“The thing is, just as there is utter, soul-stirring, skin-tingling rapture in the night of funky disco dancing, a darker side swims across the room” 

@sinusoidal.music said “Polish your boots with spit sonny, the disco floor just opened.”

“They get funky, dirty and one with the crowd with their bouncy riff and catchy vocals. They’re joining forces while singing, so its good to know the band is having fun as well. As for the drum beat, yes, it is addictive enough for a pocket where only that groove shines.“ 

@chunedesk said “This track’s not sentimental towards old disco but gives a taste just how filthy disco could be if it had been produced at 9 O’Clock Nasty”

“Hot Disco Shit” demonstrates the band’s ability to produce music that is unapologetically retro yet unorthodox. 

@findnoenemy_ said “basks in its own irreverence and abandon, inviting you to revel in its audacious energy and embrace the uninhibited joy of the dance floor.”

“your ticket to a night of unfiltered disco madness.”

@cheerstothevikings said “production is smart and creative, capturing the essence of early 00s disco vibes. The hook is incredibly catchy and you’ll likely find yourself singing it long after the song ends.

“It’s the perfect soundtrack for those nights when you just want to dance and forget about the world” 

@indieoclock said “This track is a work of art and once again they get it right at launch”

“a light composition of dense lyrics, uniting its rebellious and punk style to a rhythm” 

@thisisapolloharp said “As soon as you hear it, you’ll know it’s a 9 ‘o’ clock Nasty composition. The deliberate disregard to conventional outfits, matched with an off-handed sonic brilliance that both confronts and refreshes you.”

“The track is edged with the classic 9 ‘o’ clock Nasty absurdity, blatantly asymmetrical and provocatively funky. But the rhythm is dilated and the grooves are a slow roll like an OG hip-hop track.” 

@littlechiefmusic said “captures the essence of retro disco with a modern twist.”

“an intoxicating blend of joy, fear, and raw emotion.” 

@gdltudosobremusica “a sound that unites aspects of pop, with grooves of the disco, beats of the dub”

“rhythm that will not leave anyone standing.” 

Bad Monkey

  

"I make the sun come up, I do it every day.”

Sharpened and polished to a state of absolute transcendental rock perfection. Open your ears to the BAD MONKEY. On the rock’n’roll highway, the speed freaks are back in town.

A life of excess needs a soundtrack. You can’t party hard and make the sun come up every day without a decent theme tune. Yes folks, Leicester’s very special aristocrats of punk have strapped on their guitars to bring you something that sticks within the swim lanes of genre and style. But crafted to absolute pop-rock perfection. 

Every note, every whiff of petrochemical. Every arrogant flick of the head. Curated, balanced and honed.

Because we can. Despite our artful pretension, we are a rock band after all.

Follow the footprints of BAD MONKEY all the way to Hell. Because all the good boys are girls as well..

Available at > YouTube | Amazon Music | Spotify | Apple Music

Bad Monkey is the May 2024 single by 9 o'clock Nasty 

Much love to the people that have taken time to listen to our stuff and write about it.

@jpgchief said “The Nasty proves themselves, once again, as the masters of dismay, the conjurers of destructive and exciting riffs that pump diesel into your veins.”

“…a wild ride, an obscene hymn dedicated to the road. Hell is on the loose, and it is time for us to hit the gas.”

@rockeramag said “Rock is their playground, and this is shown beyond a shadow of a doubt with “Bad Monkey”…an instantly catchy riff with a vocal melody that won’t leave your soul for weeks to come…”

“The adrenaline pumping song is just 2 minutes and 35 seconds…but boy, do they take you on the road, in an American muscle car, doing 180 km/h and just leaving a blazing fiery trail behind it.”

@edgarallanpoets said “They’re smart creating something unique and undeniably catchy.”

“It’s like a fragmented memory of a wild night, flashing through your hungover head the next morning.” 

@york_calling said “Opening with some big, fuzzy riffs, Bad Monkey at once sounds like a classic rock number."

“Everything that 9 o’clock Nasty do, they do with their tongue placed firmly in their cheek. It’s something to bear in mind when we read the band describing Bad Monkey as being “middle of the road”. True, they’ve put aside some of their most out there elements in favour of familiar rock in their latest single, but there’s nothing generic about it.”

@theintelligence.music said “The guitars in this song are as dirty as they come”

“The overall vibe is undeniably some of the most punk energy you’ll find in modern day music.” 

 @theothersidereviews said “‘Bad Monkey’ slips a slice of pop-rock into 9 o’clock Nasty’s high-voltage punk sound.”

“It’s the drunken daze swirling with memories of fantastic night-time frolics before an abrupt end to the melody while you pass out on the floor; good night though.”

@MESMERIZED said “more like a triple shot of espresso than a song, ‘Bad Monkey’ is a sonic rampage that leaves you buzzing with adrenaline and wondering what just hit you.”

“A high-octane and fierce piece of music, it’s another track that showcases the act’s relentless energy and boundary-pushing determination. Rebellious, raw, and defiant, ‘Bad Monkey’ is yet another banger for 9 o’clock Nasty to add to their ever-increasing arsenal of ferociousness.”

@beachhouse.blog said “They’ve somehow managed to keep it fiercely unique yet familiar, striking that perfect chord between innovative and classic rock vibes”

“From the very first riff, it’s clear that this song is something special. It’s a thrill ride of fast cars, gender politics, and beats that’ll make you rethink your whole lifestyle. “

@allenpetersonreviews said “This isn’t a song for the faint of heart; it’s a full-on rock and roll assault, a middle finger raised high at conformity. Forget catchy pop hooks; “Bad Monkey” injects a potent dose of adrenaline straight into your veins, urging you to break free from societal expectations.”

“There’s a sense of adventure woven throughout—a celebration of late nights and defying the ordinary. Forget the creepy crawlies; the real “Bad monkey” here is the untamed spirit that refuses to be confined.” 

@sinusoidal.music said “Like a gift in a cereal box, just the bare name is addiction enough that needs a large area of nicotine patches on my body. Luckily they’re back with crack in a nifty pack, this is called Bad Monkey. “

“A song that will send the distortion knob squealing, the car tires a-peelin’ and make you cherish that junkie feeling. This is a 3 chord change with a V8 humming for the rhythm section, while Sydd, Pete and Tedd can smell the adventure written in the outro of the script.”

@lostinthemanor said “Taking on an avatar of alternative rock, they bring the feel-good of the fuzzy guitars and the clockwork-like drumming together with the vocals, which shine with their unconventional processing that sounds distinctive, and positively amazing.”

“they deliver relentless energy and a dose of mild sarcasm; and they're here again, punishing the world with their unique brand of love-infused rebellion” 

@thisisapolloharp said “9 ‘o’ Clock Nasty gets grittier, snottier, and nastier with every release. They love to celebrate human folly, extrapolating it with absurd notions and cerebral pulses.”

“Like packing a blasting agent with gun powder, these two load the vocal trajectory, emotion, and evocation. It is incredible how this band achieves the most unexpected sonic chemistries”

@musicistoblame said “Funnelling through the instrumental, you're hearing a nasty (and we mean the excellent nasty) filtered and distorted lead guitar and a drum pattern full of attitude - it's simple but loud, proud, and gritty.”

“They're a band that tries to stick it to the man and the world with killer beats that will make you return for more!” 

@cheerstothevikings said “With precision crafting yet wild at heart… For those seeking a new anthem to accompany a life of excess and excitement, “Bad Monkey” hits all the right notes and then some.”

“an electrifying experience that resonates with raw, infectious energy throughout the duration of the song. From the very first listen, the vocals grab hold, etching memorable lines into your mind with their catchy hooks.” 

Dead Pilot

    

"I'll fly you home. I'll cook yer tea.”

Authority figures. They tower. They loom. Respect them. Pay them. When the dentist is elbow deep in your mouth, you can't argue. When a pilot holds all of our lives in their hands, who will deny them a shoulder to cry on?

Available at > YouTube | Amazon Music | Spotify | Apple Music

Crowland is the February 2024 single by 9 o'clock Nasty 

@jpgchief said “With a brand new single, 9 o’clock Nasty keep maintaining themselves as the lords of cynicism and musical discordia”

“the single is as fun as it is dark, because one cannot help but to think about such mystery while also banging his/her head to the sixties inspired beat. Also, not one, but two drum beats, each panned side to side, surprise us as the verse kicks in.”We thank reviewers for taking the time to listen to our stuff - we don't always agree with what they write but we value the effort! Thank you to these reviewers who gave our song a few words.

@rockeramag said “They excel in showcasing a diverse array of styles in their music, blending professional and expertly crafted post-punk, alternative, rock, pop, and dark wave elements seamlessly.”

“When it comes to music, undoubtedly, they are currently the best in the international music scene, in my opinion, for offering such distinctive diversity through their music. It’s worth noting that they flawlessly blended old-school and contemporary elements. “

@plasticmag said “each add a piece to the puzzle of the 9 o’clock Nasty universe. It’s guitar-driven rock music but filtered through a hazy lens of sonic humour and bold concepts, resulting in something entirely new.”

“a twisted synth rock outing cut with the band’s trademark sardonic lyrical writing. Opened by the stuttered buzz of a guitar riff, the bouncy drum beat raises the tension before the song launches into an uptempo tirade of punchy rhythms, thumping bass lines and swaggering vocal leads.”

@KIMU said “The message of the song is succinctly metaphorical, and the hooks are captivating”

“the subversive band has captured our hearts with their fearless approach to music, creating forward-thinking songs that are both thought-provoking and eye-opening.”

@edgarallanpoets said “adrenaline fuelled punk rock that steers you back on course.”

“This isn’t a nostalgic tribute, it’s a full-fledged sonic assault with a modern twist.” 

@thebuzzyband said “The nasties have rolled real-world dread, satire and escapist whimsy in a tightly-knit punk song.”

“9 o’clock Nasty serves this stinging realization with jagged synths, boiling basslines and  a dollop of alarming electronic pulses. They’ve placed the listener at the center of a fuselage, experiencing the dread of the lights going down as cruise control sets in and the pilot breathes their last.”

Graeme at @york_calling said “I think every Monday morning should start with some 9 o’clock Nasty.”

“For all its macabre, Dead Pilot is a lively track, with layers of vibrant electronica playing over some pacy garage rock. Things end on a sudden, ghoulish note. It might just be 9 o’clock Nasty’s most finely-crafted track yet.”

Nicole Mendes, the woman who we most fear at @theothersidereviews said “the UK-based trio tip into the darkness of authoritarian control over life and death in ‘Dead Pilot’. 

“With hard-hitting beats, 9 o’clock Nasty holds you in a vice as your heart pulsates in your ears, your skin chills and you gasp for breath. Interestingly, while the melodic “what the hell was that” brashness grabs you by the throat, it is the elegant cohesion between all elements that sends a rush of raw emotion through your mind.”

@iggymagazine said “Production is a masterpiece, especially when we know the distinctive diversity that their music usually offers and the important message that this song wants to convey to listeners.”

“Distinguishing themselves by their musical style has become their Achilles talent. This English group, renowned for their cleverly designed soundscape of professional dark wave, post-punk alternative rock or pop, has once again struck a big blow with the release of "Dead Pilot.”

@pophits.co writing on Indie Rock News said “Stepping through the vibrant tapestry of dark wave frequencies, “Dead Pilot” showcases 9 O’CLOCK NASTY’s ability to navigate the nuanced realms of punk rock”

“Their sound—a vibrant fusion of alt-rock pop and a bold dash of art rock—resonates with the robustness of Iconic acts like Arctic Monkeys and the rawness of The Strokes. Dive into the majestic world of male vocals that capture the quintessence of UK culture and an irresistible post-punk attitude.”